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Blues Singers

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Sunday 8/5/2018 Show: Shemekia Copeland

 

Photo: Shemekia Copeland @ 2012 Sierre Blues Festival | (c) Christophe Losberger.

The next show will air on August 5, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with blues singer Shemekia Copeland.

The daughter of renowned Texas blues guitarist Johnny Copeland, award-winning blues singer Shemekia Copeland began making a splash in her own right before she was even out of her teens. Projecting a maturity beyond her years, Copeland fashioned herself as a powerful, soul-inflected shouter in the tradition of Koko Taylor and Etta James, yet also proved capable of a subtler range of emotions. Her 1998 Alligator debut, Turn the Heat Up!, featured a career-elevating version of her father’s classic “Ghetto Child,” that has been part of her performance repertoire ever since. She released three more acclaimed rough-and-rowdy recordings that decade before revealing a more nuanced, slow-burning persona on Never Going Back in 2009. By the time she gave birth to her first child in 2017 and released America’s Child a year later, she had transformed herself into a mature artist of vision and depth who could inhabit virtually any genre of music without sacrificing the power and passion that initially established her reputation.

Copeland was born in Harlem in 1979 and her father encouraged her to sing right from the beginning, even bringing her up on-stage at the Cotton Club when she was just eight. She began to pursue a singing career in earnest at age 16, when her father’s health began to decline due to heart disease; he took Shemekia on tour with him as his opening act, which helped establish her name on the blues circuit. She landed a record deal with Alligator, which issued her debut album, Turn the Heat Up!, in 1998 when she was just 19 years old (sadly, her father didn’t live to see the occasion).

While the influences on Copeland’s style were crystal clear, the record was met with enthusiastic reviews praising its energy and passion. Marked as a hot young newcomer to watch, Copeland toured the blues festival circuit in America and Europe, and landed a fair amount of publicity. Her second album, Wicked, was released in 2000 and featured a duet with one of her heroes, early R&B diva Ruth Brown. Wicked earned Copeland a slew of W.C. Handy Blues Award nominations and she walked off with three: Song of the Year, Blues Album of the Year, and Contemporary Female Artist of the Year. The follow-up record, Talking to Strangers, was produced by legendary pianist Dr. John and featured songs that she proudly claimed were her best yet. The Soul Truth, produced by Steve Cropper, was released by Alligator Records in 2005. Never Going Back followed in 2009 from Telarc Blues and was produced by the Wood Brothers’ Oliver Wood. 33 1/3 appeared in 2012 and was again produced by Wood and issued by Telarc. Copeland returned to Alligator for the release of 2015’s Outskirts of Love, which featured guest appearances from Robert Randolph, Alvin Youngblood Hart, and Billy Gibbons of ZZ Top. The album was nominated for a Grammy in the Best Blues album category. In 2017, Copeland gave birth to a son and the following year, deeply inspired by the experience, she shifted directions. She chose to record in Nashville and enlisted producer/guitarist Will Kimbrough — who in turn enlisted a guest list that included John Prine, Mary Gauthier, Emmylou Harris, Steve Cropper, and more. With guidance from Kimbrough, Copeland dug deep and completed a deeply resonant program of soul, Americana, blues, and country. America’s Child, the set was released on August 3, 2018.

(Bio adapted from Allmusic. Find out more at Copeland’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Shemekia Copeland will be at Iridium on August 18.

Web Extras:

Watch Copeland sing “Ghetto Child” in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

January 10, 2016 Show: James Blood Ulmer

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Photo: James “Blood” Ulmer at the 2014 Vision Festival. | Joyce Jones. Creative Commons CC BY-NC-ND 2.0, Some Rights Reserved.
 
The next show will air on Sunday, January 10, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with composer, guitarist and Blues man James Blood Ulmer, who is one of the artists lined up to be featured during the 2016 Winter Jazz Festival. This program will close out our series focusing on the festival, which starts on January 13.
 

 
James “Blood” Ulmer is one of the few exceptions — an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music. Ulmer is an adherent of saxophonist/composer Ornette Coleman’s vaguely defined Harmolodic theory, which essentially subverts jazz’s harmonic component in favor of freely improvised, non-tonal, or quasi-modal counterpoint. Ulmer plays with a stuttering, vocalic attack; his lines are frequently texturally and chordally based, inflected with the accent of a soul-jazz tenor saxophonist. That’s not to say his sound is untouched by the rock tradition — the influence of Jimi Hendrix on Ulmer is strong — but it’s mixed with blues, funk, and free jazz elements. The resultant music is an expressive, hard-edged, loudly amplified hybrid that is, at its best, on a level with the finest of the Harmolodic school.
 
Ulmer began his career playing in funk bands, first in Pittsburgh (1959-1964) and later around Columbus, OH (1964-1967). Ulmer spent four years in Detroit before moving to New York in 1971. He landed a nine-month gig at the famed birthplace of bop, Minton’s Playhouse, and played very briefly with Art Blakey. In 1973, he recorded with the ex-John Coltrane drummer Rashied Ali and his Quintet on the Survival label. That same year, he hooked up with Ornette Coleman, whose concept affected Ulmer’s music thereafter. The guitarist’s recordings from the late ’70s and early ’80s exhibit a unique take on his mentor’s aesthetic. His blues and rock-tinged art was, if anything, more raw and aggressive than Coleman’s free jazz and funk-derived music (a reflection, no doubt, of Ulmer’s chosen instrument), but no less compelling from either an intellectual or an emotional standpoint. In 1981, Ulmer led the first of three record dates for Columbia, which helped to expose his music to a wider public. Around this time Ulmer began an association with tenor saxophonist David Murray, bassist Amin Ali, and drummer Ronald Shannon Jackson. As the Music Revelation Ensemble, this intermittent assemblage (with various other members added and subtracted) would produce a number of intense, free-blowing albums over a span of almost two decades.
 
Ulmer’s work has varied in quality over the years. In 1987, with the cooperative group Phalanx (George Adams, tenor sax; Sirone, bass; and Rashied Ali, drums), Ulmer drew successfully on the free jazz expressionism that made his name. His ’90s recordings with the Music Revelation Ensemble showed him still capable of playing convincingly in that vein.
 
Ulmer dug deeply into an investigation of the blues as the century turned. First he recorded Memphis Blood: The Sun Sessions with guitarist Veron Reid both performing and producing. The album also starred veteran Ulmer sideman Charles Burnham on violin. In 2003, Ulmer issued No Escape From the Blues, recorded at Electric Lady studio. A thoroughly psychedlic funky take on the genre, Reid and Burnham were present in the same roles once more, and old friend Olu Dara stopped in to contribute as well. In 2005, Blood released Birthright, on Joel Dorn’s Hyena label. It is easily his most intimate recording. Completely solo in the studio (Reid once again produced), it contains ten orignals and two covers of classic reportoire and takes Blood’s blues journey to an entirely new level.
 
Bio adapted from Allmusic.
 
Ulmer will take the stage during the first of the marathon nights at the Winter Jazz Festival on Friday, January 15, 9:00 p.m. at the New School Auditorium, 66 West 12 Street.
 
This program is engineered, produced, hosted and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
The 2016 Winter Jazz Fest runs from January 13-17 at several locations in Greenwich Village. See the full schedule and artist lineup at their website. Head on over to our blog for previews, our annual cheat sheet to selected acts, and a full review when it wraps up.
 
Web Extras
 
Watch Ulmer perform live at the 2015 Skopje Jazz Festival.
 

 
Watch Ulmer perform “Are you Glad to be in America” live.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 8/23/15 Show: Alexis P. Suter

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The next show will air on Sunday, August 9, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with the Blues vocalist “Big Mama” Alexis P Suter.

Alexis P. Suter is the youngest daughter born to Carrie Suter (Artist, Teacher) and Albert Suter (Postal Worker, Preacher) in Brooklyn, New York. Suter was always destined for the stage as she began singing at the tender age of four in church recitals and special events. As a young girl she would create songs to sing for her mother or anyone else who wanted to listen. Alexis attended “The Little Children’s Theatre” on Church Avenue in Brooklyn briefly for vocal lessons but preferred her mother’s instructions as she would receive her undivided attention.

Although she appreciated all types of music, Suter’s roots were Gospel. She often attended different churches to experience the many styles of worship and music ministry. In her early twenties, Suter discovered the world of theatre. She joined a very talented and diverse group of artists known as the “Performance Art Chorale” (PAC) under the direction of Miche Braden. With Ms. Braden’s coaching she deepened her knowledge of the performance art, developed acting skills and expanded her vocal repertoire.

After singing for several years in various choirs and making small club appearances, Suter longed for the opportunity to share her talents on a broader scale. She began to sing “House/Dance” music and made her first solo recording with the song “Slam Me Baby”; released in 1990. The success of this record launched her career and she became the first African American woman signed to Epic Sony Japan’s Dance label. Shortly thereafter she met Vicki Bell (songwriter, producer, vocalist with “Hipbone Records”) at a function where they both sang background vocals for a mutual friend. Suter quickly signed with “Hipbone Records” and has continued her relationship with them to the present day.

In 2005, Suter recorded her first full length CD entitled Shuga Fix featuring original tunes and a more soulful sound. To her credit she has recorded a total of 6 CDs thus far. In addition to Shuga Fix are Just Another Fool, Alexis P Suter Band LIVE at the Midnight Ramble (Suter went on to open for the late Levon Helm at the Midnight Ramble in Woodstock, NY over 90 times), Two Sides, Live at the Turning Point and her current Blues/Rock CD Love the Way You Roll. The latter is presently doing very well on all of the Blues Charts.

Recently Suter has formed “The Ministers of Sound” ensemble which includes Vicki Bell, Ray Grappone (Drummer) and various guest musicians. They are presently recording their first CD which will feature Gospel and other Spiritual/Inspirational music.

Bio excerpt courtesy of alexispsuter.com.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras

Watch Suter perform the title track from her latest release, “Love the Way You Roll”, live at NYC’s BB King’s.

Watch Suter perform “John the Revelator” and “Savior” at a live 2011 show.

Watch Suter perform “Built for Comfort” live.

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