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Hank Williams

Hank Williams has written 159 posts for Suga' in My Bowl

Sunday 1/21/2018 Show: Jazzmeia Horn

Photo: Jazzmeia Horn @ the 2018 Winter Jazz Fest | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, January 21, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast recognizes the 2018 Grammys by featuring an interview with composer, vocalist and Best Jazz Vocal Grammy nominee for A Social Call, Jazzmeia Horn.

Winner of the 2015 Thelonius Monk International Vocal Jazz Competition and 2013 Sarah Vaughan International Jazz Vocal Competition, Jazzmeia Horn has a name that speaks for itself capturing her very essence. Hailing from the great Dallas, Texas Horn has already earned a reputation in New York as a rising star. With the ambition to pursue a solo career, Horn graced the New York scene in 2009 and earned her degree at The New School for Jazz and contemporary Music. It wasn’t much later when she began to perform as a sideman with musicians Winard Harper, Junior Mance, Billy Harper, Lincoln Center Alumni Vincent Gardner, Delfeayo Marsalis, Mike LeDonne, Peter Bernstein, Johnny O’Neal, Vincent Herring, Kirk Lightsey, Frank Wess, and Ellis Marsalis.

Horn then began to appear in world famous jazz festivals and legendary jazz clubs such as Lenox Lounge, Bill’s Place, The Apollo, The Blue Note, Dizzy’s Jazz Club Coca­Cola, Minton’s, The Jazz Standard, Smalls Jazz Club, Zinc, Jazz Gallery, Birdland, and The New Jersey Performing Arts Center. Her accolades include Downbeat Student Music Award Recipient 2008, 2009, and Best Vocal Jazz Soloist Winner 2010; The 2013 Betty Carter Jazz Ahead Program at The Kennedy Center­ in Washington D.C.; The Rising Star Award for the 2012 Sarah Vaughan International Vocal Jazz Competition; Finalist for Mid­Atlantic Jazz Vocal Competition in 2014; and The 2015 ­16th Annual Central Brooklyn Jazz Consortium’s Young Lioness Award.

Currently, Horn is a teaching artist in The NJPAC Well’s Fargo­ Jazz for Teens Program and Jazz In The Schools Program in Newark, New Jersey. She appears in various clubs on the jazz scene nationally and internationally leading her dynamic group “The Artistry of Jazz Horn” which includes­ a pianist, bassist, drummer, saxophonist, poet, dancer and herself­ as vocalist. Horn humbles her life and gift of music before God and says “I am thankful for the opportunity to play music professionally and have a deep desire to uplift the souls of others in need through my artistry in the spirit of music.”

(Bio adapted from Horn’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Jazzmeia Horn will be at the Mid Atlantic Jazz Festival on February 16. She also has a run at the Jazz Standard from March 1-4.

Web Extras:

Watch the trailer for Horn’s Grammy nominated A Social Call album.

Watch Horn perform her medley of “Lift Every Voice and Sing/Moanin” Live on the Tavis Smiley Show.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

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Sunday 1/7/2018 Show: Winter Jazz Fest / Fay Victor

PhotoFay Victor @ Vision Festival 21, 6/10/16 | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, January 7, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast is our third (and last) 2018 Winter Jazz Festival preview program and focuses on improvising vocalist, composer, lyricist and educator Fay Victor.

 

Called “artistically complete” by the New York Times and “a thrilling improviser” by Downbeat magazine, Fay Victor consistently hones a unique vision of the vocalist’s role in jazz and improvised music. Victor’s eight critically acclaimed recordings as a leader since the late 90’s has seen praise in venerable media outlets such as Downbeat, JazzTimes, The New York Times, The Village Voice, Time Out New York, The Wire, Signal to Noise, Popmatters.com, The San Francisco Chronicle, Time Out Chicago, The Chicago Reader, The New York City Jazz Record and JazzWise (UK). Victor’s long standing group, the Fay Victor Ensemble – an expansive and cohesive mix of jazz, rock, blues, new music and free improvisation – released three albums to huge critical acclaim (2009’s The FreeSong Suite made it onto numerous year-end lists including The Village Voice, NPR and Popmatters.com). The experimental blues project The Exposed Blues Duo, with FVE guitarist Anders Nilsson delving deep into a variety of blues forms released Bare in 2010. There is Herbie Nichols SUNG, Victor’s homage to the unsung be-bop pianist incorporating Victor’s lyrics and arrangements in a quintet and trio format. The trio project has been recorded and currently looking for label support for release and 2018 will see Victor release Wet Robots on ESP-DISK, a brand new vehicle for fresh sounds and improvisational approaches in a group called SoundNoiseFUNK.

In addition to Victor’s band-leading vehicles on record, her voice has attracted esteemed ensembles including Other Dimensions in Music (ODIM), the perennial free jazz outfit joined forces with Victor for 2011’s Kaiso Stories on Silkheart Records in 2011, lauded for its impressive fusion of Calypso, the music of Trinidad & Tobago and home to Victor’s cultural roots, with free jazz. The legendary and longstanding Dutch outfit, the Instant Composer’s Pool Orkest (ICP) led by Misha Mengelberg/Han Bennink invited Victor to tour with them in Europe in 2010 and appear during US tours in 2011, 2014 and 2015. Victor is the first vocalist to work consistently with ICP in it’s 50 year history. Victor was one of the vocalists on Trillium E (New Braxton Records 2011) with Anthony Braxton’s Tri-Centric Orchestra and Trillium J during the four-day Braxtonian Festival in 2011. Reedist Ab Baars invited Victor and french horn hero Vincent Chancey to celebrate 20 years with his esteemed trio in 2011 including a 15-concert European tour, the first time Baars had written material for voice and specifically for Victor; that work is contained on The Invisible Blow (Stichting Wig 2014). Victor received a presenting commission from Anthony Braxton himself on behalf of the Tricentric Foundation for Neighborhood Dynamics (co-composed with Jochem van Dijk) that was presented during the TriCentric Festival in a double bill with Anthony Braxton’s Nonet in 2014. Neighborhood Dynamics is a piece about gentrification and the changing demographic landscape of Brooklyn, NY, where Victor calls home. Over the past four years, Victor’s work with esteemed avant-garde trombonist Roswell Rudd has seen a deeper connection appearing on his 2014 Trombone for Lovers(Sunnyside Records 2014) and now appearing on every track of Embrace (RareNoise 2017), a project of re-imagined standards. Victor was part of a voice/percussion/piano duo with MacArthur genius grant recipient, professor and composer/multi-instrumentalist Tyshawn Sorey, with appearances at Constellation in Chicago, IL (2016) and Vision Festival XVVI (2014) amongst their performance highlights.

Victor is also out on record as a part of Glorious Ravage, a sprawling song-cycle in honor of Victorian-era female explorers composed by Bay Area bassist/composer Lisa Mezzacappa (New World Records 2017). Mezzacappa and Victor have collaborated frequently since 2011 and the song cycle was originally inspired by Victor’s first trip out West to play with Mezzacappa. Finally, Victor is part of ReDDeer a trio of improvisors that met at MusicOmi in 2010 with a record of live duo/trio recordings in New York & Austria called New York – St. Johann (Evil Rabbit Records 2017) and Victor is a featured guest on Marc Ribot’s Songs of Resistance, due for release in January 2018. Victor was just awarded a residency at Yaddo Corp. for Music Composition, staying there for 6 weeks to complete a large work on the life and death of her mother, in early 2018.

Victor’s performances have included such luminaries as Wadada Leo Smith, Marshall Allen (Sun Ra), NEA Jazz Master Dr. Randy Weston, NEA Jazz Master Archie Shepp, Roswell Rudd, Nicole Mitchell, William Parker, Myra Melford, Lawrence Butch Morris, Gary Lucas, Dave Burrell, Henry Threadgill, Andrew Cyrille, Jason Moran, Sam Newsome, Darius Jones, Anthony Coleman, Aruan Ortiz, Joe Morris, Vijay Iyer, Matana Roberts, Mark Dresser, Steven Bernstein, Marika Hughes, Mazz Swift, Marty Ehrlich, Melvin Gibbs, Henry Butler, Curtis Clark and the Duke Ellington Orchestra.

(Bio adapted from Fay Victor’s website)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Fay Victor  will be at the 2018 Winter Jazz Festival leading the SoundNoiseFunk ensemble, as part of saxophonist Darius Jones’s LawNOrder, and with Nicole Mitchell’s Maroon Cloud. See the Winter Jazz Fest site for details and check our blog for a full preview.

 

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 12/24/2017 Show: Winter Jazz Fest & Geri Allen Tribute

Photo: Geri Allen | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, December 24, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast is our second 2018 Winter Jazz Festival preview program. The Winter Jazz Festival will present a tribute program on Monday, January 15, 2018 to the late pianist Geri Allen, who made her transition this past June 27. We will hear remembrances from former Suga’ guests: long time Manager and friend Ora Harris, Motema Records President Jana Herzen, Drummer Terri Lyne Carrington, Professor and Author Farah Jasmine Griffin, Pianist Vijay Iyer, Ruth Cameron Haden (widow of bassist Charlie Haden) and Radio Announcer Sheila Elaine Anderson.

 

Who was Geri Allen? Just an award winning pianist and composer who was also an Associate Professor at the University of Michigan. Professor Allen’s last post was as Director of the Jazz Studies Department at the University of Pittsburgh, where she earned a master’s degree in ethnomusicology.

Geri Allen, pianist/composer, bandleader, educator and Guggenheim Fellow, was the first recipient of the Soul Train, Lady of Soul Award for Jazz. In 2011 Geri Allen, was nominated for an NAACP Award for her Timeline, Tap Quartet Project. Allen was the first woman, and youngest person to receive the Danish Jazz Par Prize. She was a cutting edge performing artist, and continues to concertize internationally.

She was a product of the Detroit Public School System, Howard University and the University of Pittsburgh. Allen moved to NYC in 1982 after she completed her advanced degree in ethnomusicology from the University of Pittsburgh, and for the past thirty years has recorded, performed and collaborated with some of the most important artists of our time including Ornette Coleman, Ravi Coltrane, George Shirley, Dewey Redman, Jimmy Cobb, Sandra Turner-Barnes, Charles Lloyd, Marcus Belgrave, Betty Carter, Jason Moran, Lizz Wright, Marian McPartland, Roy Brooks, Vijay Iyer, Charlie Haden and Paul Motion, Laurie Anderson, Terri Lynn Carrington and Esperanza Spalding, Hal Wilner, Ron Carter, Tony Williams, Dianne Reeves, Joe Lovano, Dr. Billy Taylor, Carrie Mae Weems, Angelique Kidjo, Mary Wilson and the Supremes, S. Epatha Merkerson, Farah Jasmin Griffin, Howard University’s Afro-Blue and many others.

Allen a recipient of the Howard University, Pinnacle Award presented by Professor Connaitre Miller and Afro Blue. Ms. Allen has been a faculty member at Howard University, the New England Conservatory, and the University of Michigan where she taught for ten years.

In 2014, Allen was presented with an Honorary Doctorate of Music Degree by Berklee College of Music in Boston. The Honorable Congressman John Conyers Jr. presented the 2014 Congressional Black Caucus Foundation Jazz Legacy Award to Ms. Allen.

The New Jersey Symphony Orchestra commissioned Geri Allen in 2013, to compose new works for the 50th Anniversary celebration of Dr. Martin Luther King’s iconic “I Have a Dream” speech. She composed a piece “Stones & Streams” a work for orchestra, chorus, piano and narrator.

She was the musical director of the Mary Lou Williams Collective, recording and performing the music of the great Mary Lou Williams, including her sacred work, Mass For Peace. Allen collaborated with S. Epatha Merkerson and Farah Jasmin Griffin on two music theatre projects, “Great Apollo Women”, which premiered at the legendary Apollo Theatre, and “A Conversation with Mary Lou”, which premiered at the Harlem Stage, as an educational component for the Harlem Stage collaboration. The featured artist was Carmen Lundy, and Allen’s long time trio members Kenny Davis and Kassa Overall). The University of Pittsburgh hosted the first ever Mary Lou Williams Cyber Symposium where ViJay Iyer, Jason Moran, and Allen performed a three piano improvisation from Harvard, Columbia and the University of Pittsburgh, in real time using Internet 2 technology.

Geri Allen was the product of a family of educators. Her father Mount V. Allen Jr was a retired Detroit Public School Principal, and her mother Barbara Jean was a defense contract administrator for the U.S. Government. “Our parents insisted my brother and I go to college. We took their advice. I pursued a career as a jazz performer, and completed my undergrad degree at Howard, and my master’s at Pitt. Mount pursued a career as a jazz advocate and presented, completing his masters at Lehigh University. He is currently Director of Operations, at the San Francisco Jazz Center.”

Geri Allen, a mother of three, acknowledges her family for making it possible for her to sustain longevity in a sometimes challenging and always changing field of the music industry.

Allen had enjoyed a very successful over thirty-year performing career as a NYC jazz musician. She returned to Pittsburgh to continue her legacy as a cutting edge pianist/composer, recording and performing artist. Allen was just as passionate about her work with her undergrad and graduate students at the University of Pittsburgh, and she firmly believed that “meaningful access to music was one of the keys to success in any field, and music informs our sensitivity to others”. She was a fierce advocate for all children of all ages to have direct hands on access to music, and the creative and empowering process jazz inspires.

Geri Allen is survived by her father Mount Vernell Allen, Jr., brother Mount Vernell Allen III and three children: Laila, Wally and Barbara Antoinette.

(Bio adapted from the Geri Allen website)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Geri Allen will be the subject of a tribute concert at the 2018 Winter Jazz Festival at the New School’s Tishman Auditorium (63 5th Avenue in Manhattan) on January 15. Drummer Terri Lyne Carrington will be the musical director of a spectacular cast, including Angela Davis, Esperanza Spalding, Craig Taborn, Dee Dee Bridgewater, Farah Jasmine Griffin, Ingrid Jensen, Jack DeJohnette, Jaimeo Brown, Jeff Tain Watts, Kassa Overall, Kris Davis, Linda May Han Oh, Maurice Chestnut, Mino Cinelu, Ravi Coltrane, S. Epatha Merkerson, Tia Fuller, Vijay Iyer and more to be announced. Concert proceeds will go to the Geri Allen estate.

 

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 12/10/2017 Show: Shabaka Hutchings

Photo: Shabaka Hutchings | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, December 12, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast starts the first of our Winter Jazz Festival preview programs with tenor saxophonist, clarinetist, composer and bandleader Shabaka Hutchings.


Shabaka Hutchings is a saxophonist, bandleader, and composer. A significant part of the 21st century jazz and improvised music scenes, he has led his own groups, worked with Courtney Pine’s Jazz Warriors, been a member of the Heliocentrics, and played on albums by everyone from Mulatu Astatke to Melt Yourself Down.

Hutchings was born in 1984 in London. He moved to Barbados at the age of six, began studying classical clarinet at age nine, and saxophone a year later. After returning to the U.K., he was granted the title of BBC Radio 3 New Generation Artist in 2010, allowing him to undertake numerous commissions, as well as broadcast performances on radio (including those of his own group, Sons of Kemet). In July 2013, Hutchings received a commission from the Leasowes Bank Music Festival to write a piece for clarinet and string quartet. He performed this piece with the Ligeti String Quartet to rave reviews. Sons of Kemet released their debut album, Burn, and won the 2013 MOBO Award for Jazz Act of the Year. Hutchings was nominated for Jazz Musician of the Year in the Parliamentary Jazz Awards. The following year, he was invited by Marshall Allen to join the Sun Ra Arkestra. He performed with them and recorded a session for the BBC’s Radio 3, and was a recipient of the Paul Hamlyn Foundation Composer Award.

In January of 2015, Hutchings traveled to South Africa to record a project with native jazz musicians. He also received a commission from the London Sinfonietta to write a “note to the new government” and was Associate Artist for the Spittalfields Summer Festival. The second Sons of Kemet album, Lest We Forget What We Came Here to Do, was released in September on NAIM, and an electronic trio project, the Comet Is Coming featuring Hutchings, Dan Leavers, and Max Hallett, released its first EP on the Leaf label in October. The following spring, the group released its full-length Channel the Spirits to massive critical acclaim and a Mercury Prize nomination.

Hutchings was also a core member of percussionist/producer Sarathy Korwar’s group for the acclaimed Day to Day. It featured the modern jazz and electronics group performing with the Sidi Troupe of Ratanpur, and was recorded in India and London. The album was released on Ninja Tune during the summer of 2016. Wisdom of Elders, the album by Hutchings’ South Africa project Shabaka and the Ancestors, was issued by Gilles Peterson’s Brownswood label in the early fall 2016.

(Bio adapted from Allmusic.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Shabaka Hutchings will be at the 2018 Winter Jazz Festival with The Comet is Coming at Le Poisson Rouge on January 10 and with Shabaka and the Ancestors on one of the festival’s Marathon Days on the 12th or 13th: date time TBA. Keep an eye on the Winter Jazz Fest website for details and follow our On the Bandstand segment for announcements.

Web Extras:

Watch Hutchings play “Mzawandile” live with Shabaka and the Ancestors at New York’s 2017 Winter Jazz Fest.

Watch Hutchings jam with Kamasi and Ricky Washington in this clip from the 2017 Gent Jazz Festival.

Watch Hutchings play “The Final Eclipse” with The Comet is Coming.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 11/26/2017 Show: Horace Tapscott

Photo: Horace Tapscott| Film still from Horace Tapscott: Musical Griot.

The next show will air on Sunday, November 26, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast will recognize the start of The African Diaspora Film Festival featuring an interview with Filmmaker, Educator and Renowned International Artist Barbara McCullough, Director of Horace Tapscott: Musical Griot. We will also speak to Steven Isoardi, author of The Dark Tree: Jazz and the Community Arts in Los Angeles and multi-instrumentalist Sabir Mateen about pianist, composer and cultural activist Horace Tapscott.

Horace Elva Tapscott (b. Houston, 6 April 1934; d. Los Angeles, 27 Feb 1999) began piano studies at the age of six with his mother, the pianist Mary Lou Malone, and took up trombone two years later. His family moved to Los Angeles in 1943 and he studied trombone in school, playing with Frank Morgan in a high-school band; other young associates from this period included Don Cherry and Billy Higgins. Tapscott worked with Gerald Wilson’s orchestra before graduating from Jefferson High School in 1952. After studying briefly at Los Angeles City College he enlisted in the air force, and served in a band in Wyoming (1953-7). He then returned to Los Angeles and worked with various local bands before touring as a trombonist with Lionel Hampton (1959 to early 1961), for whom he also wrote a number of arrangements and at times sat in on piano. By the early 1960s he was playing piano exclusively, in part because of persistent dental problems resulting from an automobile accident during his high-school years.

By the end of 1961 Tapscott had formed the Pan Afrikan Peoples Arkestra, which at various times included Arthur Blythe, Stanley Crouch, Azar Lawrence, Marcus McLaurine, Roberto Miranda, the brothers Butch and Wilber Morris, David Murray, the saxophonist Michael Session, Sonship Theus, and Jimmy Woods. The purpose of the Arkestra was to preserve, develop, and perform African-American music within the community. Its rapid growth and branching off into related social and artistic activities led to the formation in 1963 of a larger organization, the Underground Musicians Association (UGMA), of which the Pan Afrikan Peoples Arkestra was a component. By the late 1960s the organization’s continued evolution led to broader community involvement, symbolized by a change of name to the Union of God’s Musicians and Artists Ascension (UGMAA). Although activities had tapered off by the mid-1980s, both the Arkestra and UGMAA continued to play a role in their community in the 1990s.

(Bio adapted from the Online Archive of California hosted by the UCLA Music Library’s special collection that houses Tapscott’s archives.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Find out more about Horace Tapscott: Musical Griot from the official website. It will be screening at Columbia University’s Teachers’ College Chapel at 3 PM on Saturday December 2 as part of the annual African Diaspora International Film Festival.

Web Extras:

Watch the trailer for Horace Tapscott: Musical Griot:

Watch Tapscott and UGMAA in this live clip recorded in Germany.

Watch Tapscott play solo in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 11/12/2017 Show: Bill Frisell

PhotoBill Frisell @ the 2010 Moers Festival | © Michael Hoefner. Some Rights Reserved by creator. Creative Commons CC-NC-BY-ND.

The next show will air on Sunday, November 11, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast features an interview with guitarist and composer Bill Frisell, who’s the subject of filmmaker Emma Franz‘s new film Bill Frisell: A Portrait, which screens on Wednesday, November 15, as part of the DOC NYC Film Festival. We’ll also have a short chat with Franz about the film.

Born in Baltimore, Bill Frisell played clarinet throughout his childhood in Denver, Colorado. His interest in guitar began with his exposure to pop music on the radio. Soon, the Chicago Blues became a passion through the work of Otis Rush, B.B. King, Paul Butterfield and Buddy Guy. In high school, he played in bands covering pop and soul classics, James Brown and other dance material. Later, Frisell studied music at the University of Northern Colorado before attending Berklee College of Music in Boston where he studied with John Damian, Herb Pomeroy and Michael Gibbs. In 1978, Frisell moved for a year to Belgium where he concentrated on writing music. In this period, he toured with Michael Gibbs and first recorded with German bassist Eberhard Weber. Bill moved to the New York City area in 1979 and stayed until 1989. He now lives in Seattle.

“When I was 16, I was listening to a lot of surfing music, a lot of English rock. Then I saw Wes Montgomery and somehow that kind of turned me around. Later, Jim Hall made a big impression on me and I took some lessons with him. I suppose I play the kind of harmonic things Jim would play but with a sound that comes from Jimi Hendrix”, Frisell told Wire. Frisell also lists Paul Motian, Thelonious Monk, Aaron Copland, Bob Dylan, Miles Davis and his teacher, Dale Bruning, as musical influences.

Bill recorded his first two albums as a leader on ECM, both produced by Manfred Eicher. Subdued and lyrical in nature, In Line, the first of the ECM recordings, employed both electric and acoustic guitars in a series of solos (including some overdubbing) and duets with bassist Arild Andersen. Second was Rambler, featuring Kenny Wheeler, Bob Stewart, Jerome Harris and Paul Motian.

After 22 years of a fruitful relationship with Nonesuch records dating from the late ’80’s, Frisell has embarked on an exciting new chapter with the Savoy Label Group. For his first album for the label, Beautiful Dreamers features a trio Eyvind Kang on viola and Rudy Royston on drums. The material consists of a number of Frisell originals plus interpretations of such classic songs as “It’s Nobody’s Fault But Mine”, “Tea for Two”, “Goin’ Out of My Head”, “Keep on the Sunnyside” and a rousing rendition of Benny Goodman’s “Benny’s Bugle”.

Frisell’s third album for Okeh/Sony is the Grammy-nominated When You Wish Upon a Star, a project that germinated at Lincoln Center during Frisell’s two-year appointment as guest curator for Lincoln Center’s Roots of Americana series. It features Frisell with vocalist Petra Haden, Eyvind Kang (viola), Thomas Morgan (bass) and Rudy Royston (drums) performing Frisell’s arrangements and interpretations of Music from Film and Television.

Frisell’s latest release is a duet with Thomas Morgan on ECM titled Small Town.

(Bio adapted from Frisell’s website)

We will open the program with an announcement from Blues Woman and former Suga’ guest Alexis P. Suter with an announcement about a November 21 benefit concert at BB King’s to help Hurricane Maria survivors.

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Bill Frisell: A Portrait opens on December 6 at IFC Center in New York City. Keep an eye on the film’s Facebook page for additional screenings.

Bill Frisell will be at the Jazz Standard from December 7-10. See his website for additional dates and appearances where you live.

Web Extras:

Watch Frisell’s trio in this 2017 live clip from Buenos Aires.

Watch Frisell play with drummer Ginger Baker and bassist Charlie Haden in this live clip from 1993.

Watch Frisell with saxophonist John Zorn and Naked City in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 10/15/2017 Show: Rudresh Mahanthappa

Photo: Rudresh Mahanthappa @ New York’s Vision Festival | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, October 15, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with alto saxophonist, composer, bandleader and educator Rudresh Mahanthappa. We’ll start the show with a brief check in with BRIC Jazz Festival co-organizer Brice Rosenbloom for a preview of this year’s schedule.

Few musicians share the ability of Rudresh Mahanthappa to embody the expansive possibilities of his music with his culture. The saxophonist/composer hybridizes progressive jazz and South Indian classical music in a fluid and forward-looking form reflecting his own experience growing up a second-generation Indian-American. Just as his personal experience is never wholly lived on one side of the hyphenate or the other, his music speaks in a voice dedicated to forging a new path forward.

One of Rudresh Mahanthappa’s projects titled Bird Calls (2015), which was named #1 album of the year by both Downbeat and NPR Music’s Jazz Critics Poll. This 21st Century tribute to Charlie Parker, which Downbeat Magazine recently named Best Album of 2015, includes a stellar band of pianist Matt Mitchell, bassist François Moutin, drummer Rudy Royston, and 20-year old trumpet prodigy Adam O’Farrill. The 2013 album Gamak featured guitarist David “Fuze” Fiuczynski, whose own microtonal vocabulary opened new possibilities for Mahanthappa’s compositional imagination, alongside bassist Francois Moutin and drummer Dan Weiss. The 2010 release of Samdhi (ACT Music + Vision), a multi-cultural ensemble that advances Mahanthappa’s blend of jazz and Indian music with modernist electronic music, was described by JazzTimes as “a landmark convergence of styles that didn’t lend itself to easy analysis… new music of this caliber hasn’t been attempted before.” Other projects run the gamut from the cross-generational alto summit Apex featuring Bunky Green; trios MSG and Mauger; the quintet Dual Identity co-led with fellow altoist Steve Lehman; and Raw Materials, his long-running duo project with pianist Vijay Iyer. Mahanthappa was enlisted by Jack DeJohnette for the legendary drummer’s new working group, while a collaboration with the renowned Carnatic saxophonist Kadri Gopalnath resulted in Mahanthappa’s critically- acclaimed 2008 CD Kinsmen (Pi).

Hailed by the New York Times as possessing “a roving intellect and a bladelike articulation,” Mahanthappa has been awarded a Guggenheim Fellowship, two New York Foundation for the Arts Fellowships, and numerous commissions. He has been named alto saxophonist of the year four of the past five years in Downbeat Magazine’s International Critics Polls and for five years running by the Jazz Journalists’ Association. In April 2013, he received a Doris Duke Performing Artist Award, one of the most prominent arts awards in the world. In 2015, he was named a United States Artists Fellow.

Rudresh Mahanthappa’s Indo-Pak Coalition has been hailed by The New York Times as “a trio equally grounded in folk tradition and jazz improvisation, propos[ing] a social pact as well as a musical ideal.” The ensemble’s three formidable talents — Mahanthappa on alto saxophone, Rez Abbasi on guitar, and Dan Weiss on tabla — first documented their group conception in 2008 with Apti, which won praise from The Guardian for its “irresistible urgency.” Agrima, the long-awaited follow-up, finds Mahanthappa and the group expanding aesthetic horizons: adding a modified drum set, incorporating effects and electronics, and working with a broader audio canvas overall.The core of the band’s sound, the vibrant presence of Indian rhythmic and melodic elements in a charged, modern improvisational framework born of the New York jazz scene, remains firmly in place. The scheduled release date is October 1 as a digital download for $2.50.

(Bio adapted from Mahanthappa’s official website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Rudresh Mahanthappa’s Indo-Pak Coalition is scheduled to appear as part of the BRIC Jazz Festival on Saturday, October 21.

Web Extras:

Watch Mahanthappa and the Indo-Pak Coalition in this 2010 live clip from the Flushing Town Hall.

Watch the video preview of the Indo-Pak Coalition’s Agrima.

Watch Mahanthappa and pianist Vijay Iyer in this live clip from the 2007 JVC Jazz Festival in New York.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 10/1/2017 Show: Jack DeJohnette

PhotoJack DeJohnette @ New York’s Charlie Parker Jazz Festival | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, October 1, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This is a broadcast features an interview with drummer, composer, bandleader and pianist Jack DeJohnette.

Born in Chicago in 1942, Jack DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music. He added the drums to his repertoire when he joined his high school concert band at age 14.

“As a child, I listened to all kinds of music and I never put them into categories,” he recalls. “I had formal lessons on piano and listened to opera, country and western music, rhythm and blues, swing, jazz, whatever. To me, it was all music and all great. I‟ve kept that integrated feeling about music, all types of music, and just carried it with me. I’ve maintained that belief and feeling in spite of the ongoing trend to try and compartmentalize people and music.”

By the mid-1960s, DeJohnette had entered the Chicago jazz scene – not just as a leader of his own fledgling groups but also as a sideman on both piano and drums. He experimented with rhythm, melody and harmony as part of the Association for the Advancement of Creative Musicians during the group‟s early days, and later drummed alongside Rashied Ali in the John Coltrane Quintet. He garnered international recognition during his tenure with the Charles Lloyd Quartet, one of the first jazz groups to receive crossover attention.

In 1968, DeJohnette joined Miles Davis‟s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like Live-Evil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972).

During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975.

The mid 1970s were marked by a series of short-lived groups and projects – many of them leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette‟s various other collaborative ventures, especially recordings and tours with Keith Jarrett.

DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013.

DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years, beginning in 1979 with the French Grand Prix Disc and Charles Cros awards. He has figured prominently into readers polls and critics polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society‟s Hall of Fame in 2010.

(Bio adapted from DeJohnette’s official website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

One of DeJohnette’s latest recording projects is as a member of supergroup Hudson, which is the title of the Motéma release with guitarist John Scofiled, keyboardist John Medeski and bassist Larry Grenadier. DeJohnette and Hudson will be at Jazz at Lincoln Center’s Rose Hall on October 6-7.

Web Extras:

Watch DeJohnette play with guitarist John Scofield and keyboardist Larry Goldings in this 2010 live clip.

Watch DeJohnette play with Miles Davis at the Isle of Wight concert in this 1970 live clip.

Watch DeJohnette play with Charles Lloyd’s quintet in this 1966 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 9/17/2017 Show: Ray Mantilla

Photo: Ray Mantilla with World Saxophone Quartet & M’BOOM, Jazz Middelheim, BE, 2010 | © Bruno Bollaert via FlickrCreative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, September 17, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features features “The Complete Percussionist,” composer and instructor Ray Mantilla.

Ray Mantilla was born in 1934 in the rhythm rich, dance-crazed atmosphere of the South Bronx where Afro-Cuban rhythmic forms transmogrified with jazz harmonies and sensibilities in the streets, the homes and dance halls. By 21, Mantilla was on the bandstand playing conga drums along with contemporaries Eddie Palmieri and Ray Barretto, playing that unique Neo-Nuyorican synthesis known as ‘salsa’.

With flutist Herbie Mann, Ray Mantilla entered the international spotlight in 1960. Then, Max Roach invited him to be part of the classic Freedom Now Suite recording. After a stint in Puerto Rico where he honed his skills on the trap set, Ray returned to the States to find himself touring nationally and in Europe and Japan with Art Blakey and the Jazz Messengers. For the seven years Ray was with Blakey he occupied his off-hours doing studio work while recording and performing with almost every major figure in jazz including singers Eartha Kitt and Josephine Baker.

In 1977, Ray Mantilla became the first North American Latin musician to play in Cuba since the Cuban Revolution when he appeared there as an essential member of the historic goodwill ensemble led by Dizzy Gillespie.

Ray Mantilla’s career has included membership in many legendary Jazz and Latin Jazz ensembles. A short list of Mantilla’s credits includes, Max Roach, Charles Mingus, Ray Barretto, Gato Barbieri, Sonny Stitt, Bobby Watson, Herbie Mann, Tito Puente, Cedar Walton, and Freddie Hubbard. Prolific in the studio, Mantilla can be heard on more than 200 albums. Ray Mantilla appeared on the great recording, “Fifty Years of Mambo”, recorded live in Town Hall, New York, which received a Grammy nomination. He has appeared in all major clubs in New York City — the Apollo Theater, Palladium, Blue Note, SOB’s, Birdland, Fat Tuesday’s, Village Gate and the Village Vanguard in addition to many major international jazz festivals such as Sanremo, the Pori Jazz Festival, JVC Jazz Festival, Montreaux Jazz Festival and the Grande Parade du Jazz. He has been voted Percussionist of the Year by the Jazz Journalists Association as well as by major jazz periodicals from around the world – including Jazz Times (USA), Jazz Magazine (Italy), JazzThek (Germany) and others.

Ray Mantilla describes his music as “Latin Jazz with authentic Latino rhythms.” His goal, he says “is to keep playing good music, have people come to see us, and to preserve the tradition.” In 2003 Ray Mantilla signed with Savant Records and his first record for the label, Man-Ti-Ya was released (SCD 2059). His second recording, Good Vibrations (SCD 2073) climbed to the prestigious #1 one spot on jazz radio and remained there for over 3 weeks, overtaking artists such as Eddie Palmieri and Ray Barretto. Ray Mantilla’s latest release on Savant titled High Voltage was released earlier this year in April.

(Bio adapted from Mantilla’s official website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Mantilla play in this 2014 live clip from Piacenza Italy.

Watch Mantilla play “Mambo Diablo” with Tito Puente in this live clip.

Watch Mantilla play  in this 2003 live clip from New York City’s JVC Jazz Festival.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 9/3/2017 Show: Lenny White

Photo: Lenny White | © Tore Sætre. Creative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, August 20, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis special rebroadcast features drummer, producer and composer  Lenny White.

Program Note: We’re rebroadcasting our previous show for the holiday weekend.

Lenny White is still best-known for being part of Chick Corea’s Return To Forever in the 1970’s. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording Bitches Brew with Miles Davis in 1969. White was soon working with some of the who’s who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings. After the breakup of RTF, Lenny White headed several fusion projects but none of the recordings (for Nemperor and Elektra) have dated well at all, emphasizing commercial funk. However his work with the Echoes Of An Era and Griffith Park all-star groups were been more successful and he has been a valuable sideman for a wide variety of projects.

(Bio adapted from White’s page on Allmusic)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch White play in this 2014 live clip.

Watch White play with Chick Corea and Stanley Clarke in this 2014 live clip.

Watch White play “Sorceress” with Return to Forever in this 1976 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

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