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Hank Williams

Hank Williams has written 174 posts for Suga' in My Bowl

Sunday 8/19/2018 Show: Jamaladeen Tacuma

Photo: Jamaaladeen Tacuma @ NYC Winter Jazz Festival | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on August 19, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with bassist and composer Jamaaladeen Tacuma.

Few musicians leave their audiences with a feeling that they have truly witnessed something amazing. Artist/Producer/Performer/Arranger/Innovator and Bassist Jamaaladeen Tacuma does just that. This native Philadelphian has always stretched the old mold of what and how a bassist is supposed to play. Tacuma has simply re-defined his instrument’s artistic potential. In the mid 70’s, his creatively free approach to the bass caught the eye and ear of the legendary saxophonist Ornette Coleman. Tacuma became a member of Coleman’s electric band, Prime Time, he toured with the group and played on some of Coleman’s historic recordings such as: Dancing In Your Head, Body Meta, and Of Human Feelings. As a soloist, Tacuma continued to press the musical envelope with his debut album in 1983 entitled simply, Showstopper. Several records followed, some of which include: Renaissance Man (1984), Music World (1987) and JukeBox (1989), Cosmetic, Boss of The Bass, which confirmed his ability to flip between various musical genres. Even the critics have had high praise for Tacuma’s musicianship and artistry. One year he received the highest number of votes ever for an electric bassist in the “Talent Deserving Wider Recognition” category of the Down Beat critics’ poll.

Tacuma has performed and recorded and collaborated with musicians on nearly every continent such as Japan, Korea, Europe and the Middle East. In September 2007, Jamaaladeen released a new recording entitled The Flavors Of Thelonious Monk Reloaded paying musical homage to the great pianist composer Thelonious Monk and also releasing a new recording in October 2007 with “Free Form Funky Freqs,” a trio with guitarist Vernon Reid (Living Color), and G. Calvin Weston (John Laurie, Medeski, Martin & Wood) on drums entitled Urban Mythology on Thirsty Ear Records. He has also played and produced for many American and European Jazz/Funk musicians. Furthermore, the release Mirakles by Derrick Bailey, G. Calvin Weston & Tacuma was cited as one of the “most important recordings of year 2000” by All Music Guide. He also recently completed a recording entitled Dust with Bauhaus member Peter Murphy on the Metropolis label. He is also featured as writer and co-producer on the new 2006 release of the World Saxophone Quartet’s album on Justin Time Records entitled Political Blues with a song by Jamaaladeen entitled “Blue Diamond” Tacuma has collaborated with a diverse and talented roster of artists: Guitarists Jeff Beck, Carlos Santana, Marc Ribot, James Blood Ulmer, Jean Paul Bourelly and Derek Bailey.

He has performed and recorded with saxophonist Pharoah Sanders, Grover Washington Jr., David Murray, Odean Pope, Wolfgang Puschnig and James Carter. He has worked with orchestras led by Anthony Davis at Carnegie Hall, to recording and performing with the Hip Hop rap group The Roots, DJ King Britt and DJ Logic. Tacuma has shared the stage with the great comedian and philanthropist Bill Cosby at the JVC Jazz Festival, on the David Letterman Show where Tacuma was Band Director for the night. He has even written music for the hit TV show, The Cosby Show. He has worked with poets Jayne Cortez, Quincy Troupe, Amiri Baraka and co-wrote and co-produced a song entitled “Women First” with the R&B Neo Soul group from Philadelphia, KINDRED (the family soul) on their new CD recording In This Life Together on the Hidden Beach/Motown label (2006). Jamaaladeen has recently explored the music of legendary saxophonist, composer John Coltrane with a preview recording and an extended European tour which featured the British saxophonist and BBC award recipient Tony Kofi. Jamaaladeen’s For The Love Of Ornette, released 2010 on his own label, was a monumental recording made in honor of his mentor Ornette Coleman. In 2013 Jamaaladeen released Bon Vivant his 2nd studio recording with Free Form Funky Freqs trio with G. Calvin Weston and Guitarist Vernon Reid on his newly formed recording label Jam All Productions.

In recent years Jamaaladeen has been gaining recognition from some of the Unites States most prestigious artist foundations, 2011 Jamaaladeen received the Pew Arts & Heritage Award, The Marcus Garvey Foundation Award, Uptown Theater Hall of Fame Award 2014. Jamaaladeen has received composer’s residencies at the prestigious MacDowell Colony , Headlands Center for the Arts, and Civitella Rainier Italy, where he composed a new project he will be presenting in 2015. Staying true to his artistic and experimental approach to music, Tacuma is consistently bringing musical happiness to fans World Wide.

(Bio adapted from Tacuma’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Tacuma play with the Free Form Funky Freqs in this live 2011 clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

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Sunday 8/5/2018 Show: Shemekia Copeland

 

Photo: Shemekia Copeland @ 2012 Sierre Blues Festival | (c) Christophe Losberger.

The next show will air on August 5, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with blues singer Shemekia Copeland.

The daughter of renowned Texas blues guitarist Johnny Copeland, award-winning blues singer Shemekia Copeland began making a splash in her own right before she was even out of her teens. Projecting a maturity beyond her years, Copeland fashioned herself as a powerful, soul-inflected shouter in the tradition of Koko Taylor and Etta James, yet also proved capable of a subtler range of emotions. Her 1998 Alligator debut, Turn the Heat Up!, featured a career-elevating version of her father’s classic “Ghetto Child,” that has been part of her performance repertoire ever since. She released three more acclaimed rough-and-rowdy recordings that decade before revealing a more nuanced, slow-burning persona on Never Going Back in 2009. By the time she gave birth to her first child in 2017 and released America’s Child a year later, she had transformed herself into a mature artist of vision and depth who could inhabit virtually any genre of music without sacrificing the power and passion that initially established her reputation.

Copeland was born in Harlem in 1979 and her father encouraged her to sing right from the beginning, even bringing her up on-stage at the Cotton Club when she was just eight. She began to pursue a singing career in earnest at age 16, when her father’s health began to decline due to heart disease; he took Shemekia on tour with him as his opening act, which helped establish her name on the blues circuit. She landed a record deal with Alligator, which issued her debut album, Turn the Heat Up!, in 1998 when she was just 19 years old (sadly, her father didn’t live to see the occasion).

While the influences on Copeland’s style were crystal clear, the record was met with enthusiastic reviews praising its energy and passion. Marked as a hot young newcomer to watch, Copeland toured the blues festival circuit in America and Europe, and landed a fair amount of publicity. Her second album, Wicked, was released in 2000 and featured a duet with one of her heroes, early R&B diva Ruth Brown. Wicked earned Copeland a slew of W.C. Handy Blues Award nominations and she walked off with three: Song of the Year, Blues Album of the Year, and Contemporary Female Artist of the Year. The follow-up record, Talking to Strangers, was produced by legendary pianist Dr. John and featured songs that she proudly claimed were her best yet. The Soul Truth, produced by Steve Cropper, was released by Alligator Records in 2005. Never Going Back followed in 2009 from Telarc Blues and was produced by the Wood Brothers’ Oliver Wood. 33 1/3 appeared in 2012 and was again produced by Wood and issued by Telarc. Copeland returned to Alligator for the release of 2015’s Outskirts of Love, which featured guest appearances from Robert Randolph, Alvin Youngblood Hart, and Billy Gibbons of ZZ Top. The album was nominated for a Grammy in the Best Blues album category. In 2017, Copeland gave birth to a son and the following year, deeply inspired by the experience, she shifted directions. She chose to record in Nashville and enlisted producer/guitarist Will Kimbrough — who in turn enlisted a guest list that included John Prine, Mary Gauthier, Emmylou Harris, Steve Cropper, and more. With guidance from Kimbrough, Copeland dug deep and completed a deeply resonant program of soul, Americana, blues, and country. America’s Child, the set was released on August 3, 2018.

(Bio adapted from Allmusic. Find out more at Copeland’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Shemekia Copeland will be at Iridium on August 18.

Web Extras:

Watch Copeland sing “Ghetto Child” in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 7/22/2018 Show: Nana Camille Yarborough

Photo: Nana Camille Yarborough | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, July 22, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with writer, actress, composer and social commentator Nana Camille Yarbrough.

Camille Yarbrough is an award-winning performance artist, author, and cultural activist. With a career that spans over sixty years, several continents, countless awards and accolades, and a few generations, Nana Camille has earned legendary status.

Camille Yarbrough was enstooled in New York by Abladei, Inc. (Ghanaian) as Naa Kuokor Agyman 1, founder of the Stool House of Harriet Tubman and was given the honorary title of “Nana.”

She continues to inspire audiences today via her local, long-running television show of sixteen years (Ancestor House), via her popular musical CD (also entitled Ancestor House), and via performances and lectures focusing on poetry, music, Black art, spirituality, and culture.

Yarbrough’s vision was nourished and became a creative force in her life when she toured as a member of the Katherine Dunham Company of Dancers, Singers, and Musicians. There Nana Camille honed her performance and producing gifts and immersed herself in an independent study of African people throughout the Diaspora.

The world-traveling Chicago native currently resides in New York.

Nana Camille Yarbrough for twelve years was a faculty member at the City College of New York where she taught African dance and the Harlem community courses. As an accomplished theater actress, she co-starred in Lorraine Hansberry’s To Be Young, Gifted, and Black and did the national tour as a member of the company. Later she recorded the cast album and wrote a half-page article about the show published in the Drama Section of The New York Times. She also did a national tour of Ted Mann’s, Circle in the Square Theater Production of James Weldon Johnson’s play, God’s Trombones, was featured in writer Adrienne Kennedy’s Cities in Bezique at New York’s Public Theater and danced, sang and acted in the Broadway Musical, Kwamina.

For television and film, her credits include soap operas; Where the Heart Is, Search For Tomorrow, Television Special; Soul, CBS Special; Caught in the Middle and Gil Noble’s Like It Is. She also toured in her one-woman show; Tales and Tunes of an African American Griot. In contemporary pop cultural circles, Nana Camille is known as the singer whose song and vocals were sampled on the international mega-hit, “Praise You,” by techno-musician Fatboy Slim. Her first solo musical recording, The Iron Pot Cooker (1975) is where the hit song “Praise You” originated.

In 1979 Camille Yarbrough’s first book an award-winning, groundbreaking family book, Cornrows, (Putnam Publishers) was called “a gem” by Essence magazine was published and later three more books followed: The Shimmershine Queens, (Random House) The Little Tree Growing in the Shade (Putnam Publishers), and Tamika and the Wisdom Rings (Just Us Books). Camille Yarbrough wrote a three-part series “Black Dance In America” 1980-1981 was published by Black Collegian Magazine. “Female Style and Beauty in Ancient Africa: A Photo Essay” was published in The Journal of African Civilization’s Black Women in Antiquity edited by Ivan Van Sertima.

When asked about the relevance of her message for today, she explains: “In the tradition of the African jelimuso/griot, I am charged to do more than share stories, but I must preserve the meaning and beauty of culture. That work transcends time and space”

(Bio adapted from her website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Nana Camille perform “Tell It” in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 7/8/2018 Show: Milford Graves Film

Photo: Milford Graves | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, July 8, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features a conversation with Jake Meginsky, director of Milford Graves: Full Mantis. We will also revisit our 10/2/16 broadcast of an interview with percussionist/drummer, acupuncturist, herbalist, gardener, builder, scientist, inventor and martial arts master Milford Graves.

Milford Graves (born August 20, 1941 in Queens, New York) is an American jazz drummer and percussionist, most noteworthy for his early avant-garde contributions in the early 1960s with Paul Bley and the New York Art Quartet alongside John Tchicai, Roswell Rudd, and Reggie Workman. He is considered to be a free jazz pioneer, liberating the percussion from its timekeeping role. In fact, many of his music contemporaries, musician inspirees, and fans world-wide would argue that Graves is perhaps the most influential known musician in the development and continuing evolution of free-jazz/avant-garde music, to date. Milford Graves taught at Bennington College, in Bennington, Vermont, being a tenured professor from 1973 to 2011; in 2011, he is awarded Emeritus status.

Initially playing timbales as a kid growing up in Queens, Graves has worked as a sideman and session musician with a variety of jazz musicians throughout his career, including Pharoah Sanders, Rashied Ali, Albert Ayler, Don Pullen, Kenny Clarke, Don Moye, Andrew Cyrille, Philly Joe Jones, Eddie Gómez, and John Zorn. He has invested his time in research within the field of healing through music.

In 2013, Milford Graves along with Drs. Carlo Tremolada and Carlo Ventura received a patent for an invention that relates to a process of preparing a non-expanded tissue derivative, that is not subjected to cell proliferation in vitro, which has a vascular-stromal fraction enriched in stem and multipotent elements, such as pericytes and/or mesenchymal stem cells, or for preparing non-embryonic stem cells obtained from a tissue sample or from such tissue derivative, wherein the tissue derivative or such cells are subjected to vibrations derived from a heart sound to control the degree of differentiation or possible differentiation of the stem and multipotent elements into several other types of cells and optimize their potency. The invention relates also to a device for carrying out the process, to stem cells obtainable by the process as well as a drug for the regeneration of an animal tissue.

(Bio adapted from Wikipedia)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Full Mantis: Milford Graves starts a run at Metrograph in Manhattan on Monday, July 13. Former Suga’ guest William Hooker will join Graves and Meginsky for a Q&A on the opening night. Graves and Meginsky will be present for the Q&A on June 14.

Web Extras:

Watch The trailer for Full Mantis: Milford Graves.

Watch Graves and saxophonist Kidd Jordan in this live clip from the 2013 Vision Festival.

Watch Graves and bassist William Parker in this 2010 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 6/24/2018 Show: Neil Clarke

Photo: Neil Clarke | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, June 24, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with master percussionist Chief Baba Neil Clarke.

We will also speak with Dr. Segun Shabaka, Board Chair of the 2018 International African Arts Festival, where Clarke is one of the headline performers. Chief Baba Neil will perform a tribute to Mongo Santamaria.

Chief Baba Neil Clarke is a master percussionist of legendary status. Born and raised in Bedford-Stuyvestant in the spring of 1951, Clarke is internationally acclaimed as a percussionist who has been involved with traditional African drumming and the percussive arts for more than half a century. He performs regularly with and has had long term musical relationships with artists such as: Randy Weston, Harry Belafonte, Dianne Reeves, Miriam Makeba and many others.

Clarke has made it his mission to continue the pioneering work of his mentors and trainers. In honor of that collective of elders who played a pivotal role in bringing African cultural traditions to North America, South America, and the Caribbean in the late 1950’s and early 1960’s, Neil Clarke has helped keep those traditions alive.

In addition to his activities as a professional performer, Chief Baba Neil (as he is now affectionately called), has been active in arts in education programming for more than four decades as an educator and a consultant. He has conducted artist residencies and designed programming at all educational levels from elementary and middle school through secondary and college. Chief Baba Neil has done artist residencies and master classes at institutions such as Harvard University, Duke University, Rutgers University, Long Island University (C.W. Post), University of Hartford, Lewis and Clark College, and many others. And over the years he has served as a presenter and consultant for many of the major cultural institutions in the New York area including: The Caribbean Cultural Center, the Museum of Natural History, and the Brooklyn Children’s Museum, to name a few.

Chief Baba Neil has also been engaged as both a panel presenter and moderator on subjects related to the exploration of the history and historical presence of the African drum in America. He has been cited in several publications on the subject. In 2012, he was awarded a grant by the Center for Black Music Research and a Research Fellowship for Archival Research by the Black Metropolis Research Consortium to further his studies.

Currently, as an adjunct professor in the music department at the City University of New York (since 2004), Clarke conducts a popular course of his own design on Traditional African Percussion Ensemble performance and theory.

(Bio adapted from Chief Baba Neil’s Facebook page. More info is available at his website.

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Chief Baba Neil will perform a tribute to Mongo Santamaria at the 2018 International African Arts Festival in Brooklyn on Sunday July 1. 

Web Extras:

Watch Clarke’s band perform at Brooklyn’s Sista’s Place in this live clip.

Watch Clarke perform with Randy Weston’s African Rhythms in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 6/10/2018 Show: Adam O’Farrill

Photo: Adam O’Farrill | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, June 10, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast presents an interview with trumpeter and composer Adam O’Farrill.

In June 2018, O’Farrill released his second album, El Maquech with his band Stranger Days, tapping into an eclectic range of influences, including traditional Mexican music, and covers of Gabriel Garzon-Montano and Irving Berlin.

Adam O’Farrill was born and raised in Brooklyn, NY. Born to a deep musical legacy – his grandfather, the legendary Afro-Cuban composer/arranger, Chico O’Farrill, his father, the GRAMMY award-winning pianist/composer/activist Arturo O’Farrill, and his mother, pianist and educator Alison Deane – O’Farrill has been surrounded by music since he was very young. He began studying piano at age 6, and trumpet at age 8, while starting to compose around the same time. Since then, O’Farrill has made numerous artistic accomplishments.

With his brother, Zack, a drummer/composer, they released two well-received albums under the O’Farrill Brothers Band: Giant Peach (2011) and Sensing Flight (2013), both on ZOHO Music. They primarily featured Adam’s original compositions. In 2016, he released his first album under his own name, called Stranger Days (Sunnyside Records), which features Zack on drums, Chad Lefkowitz-Brown on tenor sax, and Walter Stinson on bass. The album has been critically acclaimed with Nate Chinen of the NY Times writing “Marshaling a sharp band of his peers — Chad Lefkowitz-Brown on tenor saxophone; Walter Stinson on bass; and Zack O’Farrill, his older brother, on drums — Mr. O’Farrill establishes both a firm identity and a willful urge to stretch and adapt.”

In 2015, O’Farrill was featured on two of the year’s most acclaimed albums. He was featured on Rudresh Mahthappa’s Bird Calls, which won the Downbeat Critics Poll for Best Jazz Album, and was named one of the Best Jazz Albums of 2015 by NPR, New York Times, Observer Chicago Tribune, and more. Later that year, O’Farrill was featured (along with Mahanthappa, and Zack O’Farrill) on Arturo O’Farrill’s Cuba: The Conversation Continues, was was nominated for the GRAMMY Award for Best Large Jazz Ensemble Album, and won the Latin GRAMMY Award for Best Latin Jazz Album. In 2016, Adam was featured on several new releases. He was featured on Stephan Crump’s Rhombal, along with Ellery Eskelin and Tyshawn Sorey, which also released to critical acclaim. O’Farrill was also featured on Evergreen (Canceled World), from rising composer-pianist Gabriel Zucker and his large ensemble, The Delegation, as well as Kadawa, the debut album from the Israel-born experimental trio of the same name, and New Helsinki, the debut album from Finnish guitarist Olli Hirvonen. In addition to these, Adam has also performed with established artists such as Vijay Iyer, Mulatu Astatke, Steve Lehman, Christian McBride, Jason Lindner, in addition to rising artists such as Samora Pinderhughes, Onyx Collective, Maria Grand, JIL, and more.

O’Farrill has also been developing his voice as a composer, since a young age. He recently received the 2016-2017 The Jazz Gallery Residency Commission, for which he will premiered a new work, “I’d Like My Life Back,” for voice and septet, in April 2017. He was commissioned by YoungArts to collaborate with actress Devyn Tyler, and filmmakers Dan Frantz and Andy Koeger on a short film called Gold, which Adam scored. The Baltimore-based chamber duo, The Witches, commissioned O’Farrill to write a piece for their project, Behind the Curtain, celebrating femininity and female leaders of the world today. He wrote a piece called “Overcoming,” dedicated to Lizzie Velasquez, the motivational speaker who was born with a disease that prevents her from accumulating body fat.

Recently, O’Farrill completed his Bachelor’s Degree at the Manhattan School of Music, where he studied with Laurie Frink, Cecil Bridgewater, Reiko Fueting, Thomas Smith, Greg Gisbert, and Tony Kadleck.

(Bio adapted from Adam O’Farrill’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

O’Farrill’s El Maquech released on June 1 on Biophilia Records. There will be a release performance at 55 Bar on Wednesday, June 13, at 10:00 p.m.

Web Extras:

Watch O’Farrill play “Stranger Days” in this live clip.

Watch O’Farrill perform “Gravity” with Olli Hirvonen’s New Helsinki ensemble in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 5/27/2018 Show: Freddie Hendrix

Photo: Freddie Hendrix | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, May 27, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis broadcast features an interview with trumpeter Freddie Hendrix as part of our 2018 Vision Fest coverage.

Over the past two decades, Freddie Hendrix has become one of the most in demand trumpeters in Jazz, and beyond. Also an accomplished composer, arranger and educator, the Teaneck, New Jersey native’s skill and versatility has resulted in him working with a wide array of performers that range from the Count Basie Orchestra and The Christian McBride Big Band, to Aretha Franklin, Stevie Wonder and Alicia Keys.

With the release of his first recording as a leader, Jersey Cat, Freddie is serving notice that now is his time. One of the music’s most exciting players, Hendrix has forged his own sure footed, full toned sound, out of the tradition of Freddie Hubbard, Woody Shaw, Lee Morgan, and Clifford Brown. A powerful septet recording, Jersey Cat, a scintillating septet debut, impresses from the opening bars of the powerful first track, “St. Peter’s Walk”. At home on fiery, uptempo tracks, or on ballads like “You Don’t Know What Love Is”, Hendrix shows that he can handle any tempo and interpret any song with ease, and when called for, nuance. And on originals like “On The Rise” (one of his first compositions), “Madeira Nights”, (inspired by his first trip to Europe), and “Whims Of A Waltz”, Freddie’s aforementioned composing and arranging talents are on full display. Among the other selections on this well rounded project is a wonderful performance of the Horace Silver classic “Peace”, and a swinging rendition of Freddie Hubbard’s “Hubtones”.

A product of the esteemed Jazz program at William Paterson University, with a Masters in Jazz Studies and Performance from New Jersey City University, Hendrix also shares his knowledge and passion for the music by serving as a faculty member at the Hartt School of Music at The University of Hartford (Ct.), The New School in New York, and Jazz House Kids, in Montclair, New Jersey.

Whether leading his own groups, or lending his talents as a lead or section player in much larger ensembles, Freddie Hendrix continues to flourish as one of the most exciting trumpet voices on the music scene.

(Bio adapted from Hendrix’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Freddie Hendrix will be at the closing evening of Arts for Arts’ Vision Festival 23 as part of the Oliver Lake Big Band on Memorial Day, Monday May 28.

Web Extras:

Watch Hendrix play a cover of Miles Davis’s “Tutu” in this live clip.

Watch Hendrix play with saxophonist Oliver Lake’s Organ Quartet in this live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 5/13/2018 Show: Dave Burrell

Photo: Dave Burrell | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, May 13, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with pianist and composer Dave Burrell, who will be honored with a lifetime achievement award at the 2018 Vision Fest.

Distinguished composer-pianist Dave Burrell is a performing artist of singular stature on the international contemporary music scene. His dynamic compositions, with blues and gospel roots recall the tradition of Jelly Roll Morton, James P. Johnson and Duke Ellington, as well avant garde composers Thelonious Monk and John Coltrane. After majoring in music at the University of Hawaii, he enrolled at Berklee College of Music in Boston, Massachusetts in 1961. After graduating with degrees in composition/arranging and performance in 1965, he moved to New York City, where he quickly established himself as one of the most innovative and original pianists, collaborating with the emerging leaders in contemporary jazz, joining the groups of tenor saxophonists Marion Brown, Pharoah Sanders and Archie Shepp.

Burrell’s Jazz Opera Windward Passages, written in collaboration with Swedish-born poet/lyricist Monika Larsson, blends opera voices with world class jazz instrumentalists, a 21-piece jazz opera orchestra, dancers and chorus. Seldom has the classically trained voice played such a unique improvising roll as in this important, ground-breaking endeavor. Burrell’s dance drama, Holy Smoke, with blue-print by Monika Larsson, is being developed for contemporary dance. La Vie de Boheme, Burrell’s arrangement of Giacomo Puccini’s La Boheme, recorded on BYG Records, France in 1969, was presented at the Bordeaux Jazz Festival in France in 2008.

Dave Burrell appears regularly on national and international radio broadcasts, including NPR’s Bi-Centennial Tribute to Jelly Roll Morton, Dr. Jazz; Duke Ellington’s Centennial Duke and the Piano; Louis Armstrong’s The Wonderful World of Louis Armstrong, and Leonard Bernstein: An American Life. Dave Burrell was recently featured on NPR’s nationally syndicated show Fresh Air, hosted by Terry Gross. Burrell performed the music of Jelly Roll Morton solo piano The Lomax Legacy: Folklore in a Globalizing Century symposium, along with jazz author and scholar John Szwed, presented by American Folk Life Center at the Library of Congress and at the Kennedy Center Millennium Stage, Washington, D.C. In 2009, RAI, Italy aired “Dave Burrell Plays His Songs featuring singer Leena Conquest and lyricist Monika Larsson” on internet radio.

As a musician in-residence at the Rosenbach Museum and Library in Philadelphia, Pennsylvania Dave Burrell was commissioned to write music for “Look Again” – African-American History is American History – in 2007: Bill of Sale for a Slave.

His second commission at the Rosenbach, Syllables of the Poetry of Marianne Moore, in duet with bassist Michael Formanek, premiered in February, 2008. His third commission at the museum, Western Extention of the United States of America (1811 – Astoria), premiered in duo with bassist Michael Formanek on September 9, 2009.

Burrell wrote an original score to Oscar Micheaux’s silent black and white film Body and Soul (1925). Some of the music is featured on Burrell’s Db3’s CD Momentum (High Two Records , 2006). Amulet Records released Consequences (2007) featuring Dave Burrell and percussionist Billy Martin (Medeski, Martin and Wood). Burrell’s project, Dave Burrell Plays the Burrell/Larsson Songbook, featuring jazz singer Leena Conquest continues to tour in Europe including Italy, Spain, Austria, Czech Republic and France. RAI Trade, Italy is releasing a CD, a duo recording with Dave and Leena in 2009.

During the last 30 years Dave Burrell has appeared on over 115 recordings, 30 under his own name, (High, High Two, Echo, La Vie de Boheme, After Love, In-Sanity, Only Me, Dreams, Black Spring, Lush Life, Round Midnight, Teardrops for Jimmy, Windward Passages, Daybreak, Brother to Brother, In Concert, Jelly Roll Joys, Esquisses for a Walk, Live at Caramoor, Changes and Chanses, Recital, Expansion, Consequences, Margy Pargy, and Momentum)

Burrell is renowned for his pivotal recordings with tenor saxophonists Archie Shepp, Pharoah Sanders, Marion Brown, David Murray, Beaver Harris, Grachan Moncur, Sunny Murray, Bob Stewart, and most recently William Parker.

A frequent lecturer, Burrell’s Master Classes include Strasbourg Conservatory, Tremblay Conservatory (Paris), Conservatoire Municipal (Paris), Guildhall School of Music and Dance (London), New York University, Queens College, University of Pennsylvania, Swarthmore College, Bryn Mawr College, Duquesne University School of Music, Pennsylvania, Bard College, New York, Brandeis University, Massachusetts, Rice University, Houston, Texas, DePauw University, Indiana, Columbia University, New York City and Library of Congress, Washington, D.C. Recent commissions include Rosenbach Museum and Library, Philadelphia, and Whitney Museum, New York City.

Dave Burrell is the recipient of numerous grants and awards including National Endowment for the Arts, Philadelphia Music Foundation, William J. Cooper Foundation, New York State Council on the Arts, Pennsylvania State Council on the Arts, MidAtlantic Foundation, John Garcia Gensel Award, and the Pew Fellowship in Jazz Composition.

Dave Burrell joined Steinway’s Artist Roster in 2007.

(Bio adapted from Burrell’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Dave Burrell will be this year’s recipient of Vision Fest’s lifetime achievement award on the May 23 opening night at Roulette and will play in three different combos including a composition paying tribute to the Harlem Renaissance and a reunion with saxophonist Archie Shepp.

Web Extras:

Watch Burrell play with frequent collaborators William Parker, Kidd Jordan, Hamiet Blueitt, and William Hooker at the 2011 Vision Festival.

Watch Burrell perform “Leo” with Rashied Ali’s quartet in this 1972 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 4/29/2018 Show: Linda Manzer

Photo: Linda Manzer | © Andy Howell. Some Rights Reserved.

The next show will air on Sunday, April 29 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with luthier (guitar maker) Linda Manzer.

Linda (Jane) Manzer, born in Toronto, is a Canadian luthier renowned for her archtop and flat-top acoustic guitars.

Linda received her training from Jean Larrivée between 1974 and 1978 and later with Jimmy D’Aquisto in New York. Her greatest claim to fame is that she has and still does build many custom guitars for renowned jazz musician Pat Metheny including the Pikasso which has 42 strings and three necks. Carlos Santana, Stephen Fearing, Julian Lage, Henrik Andersen, Doug Macaskill, Craig Snyder, Milton Nascimento, Liona Boyd, Heather Bishop, Bruce Cockburn, Paul Simon, Mike Francis (Pepe), Marie Lynn Hammond, Sherry Shute, John McGale and Gordon Lightfoot have to be mentioned as special customers too.

Manzer says, “I’ve been making guitars for over 43 years. I love what I do. The most important thing to me is that the player is inspired by the guitar. And plays it.”

(Bio adapted from the Manzer Guitars website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Pat Metheny perform “Into the Dream” with the Manzer 42-string Pikasso Guitar.

Watch Julian Lage perform a duo with the Manzer Blue Note Guitar.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 4/15/2018 Show: Nels Cline

Photo: Nels Cline | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, April 15 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with guitarist and composer Nels Cline.

Guitar explorer Nels Cline is best known these days as the lead guitarist in the band Wilco. His recording and performing career — spanning jazz, rock, punk and experimental — is well into its fourth decade, with over 200 recordings, including at least 30 for which he is leader. Cline has received many accolades including Rolling Stone anointing him as both one of 20 “new guitar gods” and one of the top 100 guitarists of all time.

Beyond Wilco, Cline performs in a duo project with guitarist Julian Lage in addition to a quartet, The Nels Cline 4 (featuring Lage plus bassist Scott Colley and drummer Tom Rainey), collaborates with his partner Yuka Honda as the duo Cup, performs as Stretch Woven with percussionist Scott Amendola, leads The Nels Cline Singers (featuring Amendola plus bassist Trevor Dunn and percussionist Cyro Baptista) and plays with Stained Radiance (an improvisational live project with performance painter Norton Wisdom). Cline also periodically presents concerts of his concept album Lovers, which involves a 17-person ensemble and collaborates dozens of composers/improvisers.

(Bio adapted from Nels Cline’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Nels Cline will be at Le Poisson Rouge on Monday, April 16 at 7:00 PM with The Nels Cline 4, which includes guitarist Julian Lage.

Web Extras:

Watch Cline perform “Swing Ghost 59” with the Nels Cline 4.

Watch Cline with guitarist Mary Halvorson and drummer Ches Smith in this 2005 live performance.

Watch Cline play with Medeski, Martin, and Wood in this 2017 live performance.

 

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

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