The playlist for the show on Dexter Gordon is now online on our playlists page. Stop by and take a look. In case you missed it (or want to hear it again), it’s online in WBAI’s archives until Sunday the 27th. Look for the Sunday, November 20th, 11 PM time slot. (We’re still working on getting full audio archives online here: we’ll let you know when it happens.) And save the date for the next show, which will be Sunday December 11th featuring an interview and with music from bassist Christian McBride! We’ll do a full post on that soon. Thanks for listening.
Tune into this program to hear more about this legendary composer, band leader tenor and soprano saxophonist. We’ll talk to Dexter’s wife Maxine Gordon and host a repeat visit from Woody Shaw III. We will also sample the box set Dexter Gordon – The Complete Columbia Albums Collection.
Dexter Keith Gordon was born on February 27, 1923 in Los Angeles, California. His father, Dr. Frank Gordon, was one of the first African American doctors in Los Angeles who arrived in 1918 after graduating from Howard Medical School in Washington, D.C. Dexter’s mother, Gwendolyn Baker, was the daughter of Captain Edward Baker, one of the five African American Medal of Honor recipients in the Spanish-American War.
Dexter began his study of music with the clarinet at age 13, then switched to the alto saxophone at 15, and finally to the tenor saxophone at 17. He studied music with Lloyd Reese and at Jefferson High School with Sam Browne. In his last year of high school, he received a call from alto saxophonist Marshall Royal asking him to join the Lionel Hampton Band. He left Los Angeles with the band, traveling down south and learning to play from fellow band members Illinois Jacquet and Joe Newman. In January 1941, the band played at the Grand Terrace in Chicago for six months and the radio broadcasts made there were Dexter’s first recordings.
It was in 1943, while in New York City with the Hampton band, that Dexter sat in at Minton’s Playhouse with Ben Webster and Lester Young. This was to be one of the most important moments in his long musical career as, as he put it, “people started to take notice.”
In the late 40s, Dexter appeared on the famed 52nd Street in New York City with Charlie Parker, Fats Navarro, Miles Davis, Max Roach, and many of the bebop innovators of the day.
In 1960, Dexter was approached by Alfred Lion to sign with Blue Note Records. For five years, he made one session after another, and they are all considered classics. When asked which of all his recordings was his favorite, Dexter said: “I would have to say it is “Go!” The perfect rhythm section which made is possible for me to play whatever I wanted to play.”
In 1976, Dexter enjoyed a hero’s welcome in the U.S. when he made his return engagement at Storyville in New York City with Woody Shaw, Louis Hayes, Ronnie Mathews, and Stafford James. He subsequently played the Village Vanguard, signed with Columbia Records, and was officially back in town. He organized his first working band during this period with George Cables, Rufus Reid, and Eddie Gladden. He considered this band to be his best band and he toured extensively with them and recorded Live at the Keystone (Mosaic) and Manhattan Symphonie (CBS Sony) with the group.
In 1986, Dexter moved into his new career, acting, in the motion picture Round Midnight, which was directed by Bertrand Tavernier. He was nominated for an Academy Award for Best Leading Actor in 1986 for his portrayal of Dale Turner, a character based on the lives of Lester Young and Bud Powell. The music for the film won an Oscar for musical director, Herbie Hancock. The film included fellow musicians Bobby Hutcherson, Billy Higgins, Cedar Walton, Freddie Hubbard, Tony Williams, Pierre Michelot, John McLaughlin, and Wayne Shorter.
Dexter died on April 25, 1990 in Philadelphia, Pennsylvania.
Hosted by Arts Producer Joyce Jones.