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Sunday 11/25/2018 Show: Leon Parker

Photo: Leon Parker | © Goffredo Loertscher, Drummersworld.com

The next show will air on Sunday November 25, 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with drummer/percussionist Leon Parker.

New-York born musician Leon Parker is one of the most intriguing musicians of his generation. Drummer, percussionist and body-rhythm pioneer, he constantly explores new sound possibilities, using an infinitive range of colors with an often-limited drumset (consisting sometimes in a unique cymbal). His distinctive groove, he draws from very natural roots, has built him a solid reputation on the jazz scene and beyond.

Leon Parker started drums when he was three, becoming a confirmed jazz musician in early adolescence. After having studied classical percussions, he took lessons with Barry Harris and started performing regularly in New York. Remarked for his unique musical print, he recorded first with Harvie Swartz and played with musicians such as Sheila Jordan and Kenny Barron.

After 10 years building his reputation as a side-man, recording with other musicians (including Dewey Redman, Jacky Terrasson, Brad Mehldau, Peter Bernstein, among others), and leading groups at clubs, he met producer Joel Dorn and recorded his first leader album, “Above and Below”, in 1994, before releasing two other albums for Sony. His 1996-album, “Belief”, and 2 years later “Awakening”, emerged as the result of a long work on sound and deep musical explorations. After the release of his album “The Simple Life” in 2001, he decided to move to France and started to work on a Body-Rhythm method.

While still appearing on numerous albums as a sideman (Including those of Jacky Terrasson and Giovanni Mirabassi), he developed his Body-Rhythm techniques for many years, teaching workshops and leading his own voice and body-rhythm group in Toulouse. This method, called “EmbodiRhythm”, is the basis on which Leon Parker has written new compositions.

(Bio adapted from Parker’s website)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Sixteen years ago, Parker left the U.S. for France to focus on teaching EmbodiRhythm workshops instead of the French Jazz scene.

Leon Parker returns to New York as part of the Aaron Goldberg Trio along with Matt Penman. The Trio will have a run at the Jazz Standard from Thursday, November 29, through Sunday, December 2. Chamber Music America’s (CMA) French-American Jazz Exchange partnered with the Mid Atlantic Arts Foundation and Brooklyn’s National Sawdust to help bring this project to fruition. Tune in for a ticket giveaway during the live broadcast!

Web Extras:

Watch Parker’s drum solo in this  live performance of “Perhaps.”

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

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Sunday 4/1/2018 Show: William Hooker

Photo: William Hooker | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, April 1 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with drummer, composer and poet William Hooker.

William Hooker grew up in New Britain, Connecticut and basically was a good student, and came from a good home. Hook says about his education and introduction to music: “I did all that I could possibly do to make my way through New Britain High School, Nathan Hale Junior High, and Central Connecticut. State College. I tried to get good grades to be an exceptional student as far as playing in the band and orchestra, in leading the chorus and student councils. I was brought up in the church where I sang and learned the gospel repertoire in choirs and as a vocal soloist. I also was given private drum lessons as a child at the age of 10. What led me to music was the fact that I performed in a rock and roll group in Connecticut. Then I got into jazz – in a big way. My first experience playing jazz was with a quartet of older gentlemen who taught me standards(from the black book) and the essentials of leading a band. I did this for four years at the age of 16. I listened to as much music as I could and listened to all the local players in the many clubs,concerts and shows. This is what I did while I was studying in college to obtain my degree in political science,sociology and history. I also studied 20th century composers and electronic music while I was in school. I continued to play and perform, never to become a musician – I was one. I didn’t think of it in terms of the rest of my life or my career because I was good in most of the things I tried to do, be they academic life or musical life. My mentors were my mother , father and the many “professional” musicians I had the pleasure of knowing throughout my life.”

Hooker continues, “I had the great fortune to be a part of an organ trio,playing 4-5 nights a week and continuing to build the roots of “the music.” All through college the group performed standards,show tunes and the like. I played with this group for about 5 years. All the while I was listening deeply to the recordings of Impulse, ESP, Blue Note, Delmark and the like. This was a focused life – working a lot and picking up as much knowledge and skill as I possibly could in the various clubs and places where I performed. I then made the transition from classic jazz to free jazz when I relocated to San Francisco. It was there that I played-daily with an African conga group. this group was steeped in the rhythms and sounds of the drum and percussion. Upon returning to Connecticut, I made the decision to move to New York where I created and led groups using many of those mentioned in my most recent history. The concentration had changed to one in which my own musical concepts were the center of my expression.”

Hooker considers himself a “jazz musician.” “I know this word is defined in many different ways. My work fits in the jazz tradition because it’s based on improvisation..it’s based on learning one’s craft..it’s based on written out music in many cases..it’s based on traditional duo, trio, quartet and sextet settings. I use a Ludwig drum kit. It is set up traditionally: one tom, bass drum, floor tom, two cymbals, high hat, and a snare. Usually this is my preferred set up. I’m hoping that many of the projects I have happening will be recorded and performed live. Many musicians and the relationships that have been building will come to fruition. As this occurs, I will experience the beauty of this music….and I will continue to play.”

(Bio adapted from Hooker’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

William Hooker will be at Roulette in Brooklyn On Thursday, April 5 at 8:00 p.m. to present “The Great Migration,” s stirring multimedia and multidisciplinary suite.

Web Extras:

Watch a short video on Hooker’s multidisciplinary “Great Migration” suite.

Watch Hooker at the 2011 Vision Fest in this live clip.

Watch Hooker at the 2013 Vilnius Jazz Fest in this live clip.

 

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 2/18/2018 Show: T.S. Monk

Photo: T.S. Monk | Credit: Michael Weintrob

The next show will air on Sunday, February 18 2018 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast presents an interview with drummer, composer, bandleader and son of Thelonius Sphere Monk, T.S. Monk. We will discuss some parts of T.S. Monk’s career and the direction he has taken to honor the memory of his father.

After earning a reputation in school as a rabble-rouser, and graduating, the young Monk joined his father’s trio and toured with his dad until the elder Monk’s retirement in 1975. T. S. then launched into the music that had captivated him and his generation, R&B. He first toured with a group called Natural Essence and afterward, with his sister Barbara, formed his own band with which he had hits on two recordings, House Of Music and More Of The Good Life, where he played drums, arranged, and sang.

T. S. received the New York Jazz Awards First Annual “Recording of the Year” and ‘Downbeat’s’ prestigious 63rd Reader’s Poll Award for Monk On Monk, the “80th Anniversary Birthday Tribute to Thelonious Sphere Monk” featuring twenty guest artists including Herbie Hancock, Wayne Shorter, and Arturo Sandoval, Dianne Reeves, Nnenna Freelon, Howard Johnson, among others perform on the recording. Critics and the public lauded T. S. Monk as his father’s true musical heir, as bandleader, and performer. Rave reviews in the Hollywood Reporter, Variety, the L.A. Times, and others, echoed the public sentiment of the sold out concert hall shows across the United States, Europe, and the Middle East.

Shortly after these accomplishments, his father passed away leaving a rich and legendary legacy and, tragically, his sister died of cancer. To honor his father’s legacy and support the efforts of education, Thelonious turned his attention toward forming the Thelonious Monk Institute of Jazz. As Chairman, Thelonious has been at the forefront of helping to create a number of programs that range supporting after-school athletic programs. The Institute’s activities reach from Boston to Los Angeles sponsoring music education for students in the form of full scholarships to funding and supplies and from New York to Orlando.

In 1992, Thelonious formed his jazz sextet and received raves from the moment they hit the stage and the studio. One of the most unique groups on the circuit, the T. S. Monk Sextet’s cohesive and driving style has been heard at the JVC Jazz at the Bowl festival, Sun Valley Center, Lied Center for the Performing Arts, and many of the legendary jazz clubs. For his special 80th Anniversary Birthday Tribute to his father, the sextet formed the core of the eleven musician, pulsating and dynamic show. With Grammy Award winning producer (for Joe Henderson’s Lush Life, among others) Don Sickler on trumpet, the duo has carved an innovative and dynamic approach to crafting the T. S. Monk Sextet sound; this band soars and sizzles.

For two consecutive seasons, December 1996 and January 1998, on ABC, jazz returned to network television after a twenty-five year absence. Sponsored by Nissan and The Thelonious Monk Institute, under the guidance of Thelonious, Jr. and Tom Carter, an historic assemblage of artists gathered for ‘A Celebration Of America’s Music’ hosted by Bill Cosby and featuring Natalie Cole, Jon Secada, Tony Bennett, K.D. Lang, as well as Thelonious performing his father’s signature tune, Round Midnight, with Herbie Hancock, Pat Metheny, Nnenna Freelon, Al Jarreau, Dave Brubeck, Aretha Franklin have all performed for this Annual special.

(Bio adapted from Monk’s website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

T.S. Monk will be at the Bickford Theater in Morristown, NJ on Thursday, February 22nd from 7:30 – 8:30pm. He’ll be with his sextet and feature vocalist April May Webb.

Web Extras:

Watch The TS Monk Sextet play a beautiful version of “‘Round Midnight” with vocalist Nnenna Freelon in this live 2017 clip.

Watch the TS Monk Sextet in action in this live clip from 2011.

Watch Monk perform (and sing!) the pop hit “Bon Bon Vie” in this throwback music video from 1980!

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

Sunday 9/3/2017 Show: Lenny White

Photo: Lenny White | © Tore Sætre. Creative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, August 20, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis special rebroadcast features drummer, producer and composer  Lenny White.

Program Note: We’re rebroadcasting our previous show for the holiday weekend.

Lenny White is still best-known for being part of Chick Corea’s Return To Forever in the 1970’s. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording Bitches Brew with Miles Davis in 1969. White was soon working with some of the who’s who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings. After the breakup of RTF, Lenny White headed several fusion projects but none of the recordings (for Nemperor and Elektra) have dated well at all, emphasizing commercial funk. However his work with the Echoes Of An Era and Griffith Park all-star groups were been more successful and he has been a valuable sideman for a wide variety of projects.

(Bio adapted from White’s page on Allmusic)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch White play in this 2014 live clip.

Watch White play with Chick Corea and Stanley Clarke in this 2014 live clip.

Watch White play “Sorceress” with Return to Forever in this 1976 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 8/20/2017 Show: Lenny White

Photo: Lenny White | © Tore Sætre. Creative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, August 20, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This is a broadcast features drummer, producer and composer Lenny White.

Program Note: Our last show was pre-empted for WBAI’s Summer Fund Drive. We’re back to our normal schedule now.

Lenny White is still best-known for being part of Chick Corea’s Return To Forever in the 1970’s. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording Bitches Brew with Miles Davis in 1969. White was soon working with some of the who’s who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings. After the breakup of RTF, Lenny White headed several fusion projects but none of the recordings (for Nemperor and Elektra) have dated well at all, emphasizing commercial funk. However his work with the Echoes Of An Era and Griffith Park all-star groups were been more successful and he has been a valuable sideman for a wide variety of projects.

(Bio adapted from White’s page on Allmusic)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Lenny White will be at the Jazz Standard from August 31 to September 2 with Cyrus Chestnut’s trio.

Web Extras:

Watch White play in this 2014 live clip.

Watch White play with Chick Corea and Stanley Clarke in this 2014 live clip.

Watch White play “Sorceress” with Return to Forever in this 1976 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/26/2016 Show: Andrew Cyrille part 2

DSC_0214
Photo: Andrew Cyrille at 2016 Vision Fest | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, June 26, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will wrap up our coverage of Vision 21 with part two of an interview with composer and drummer/percussionist Andrew Cyrille. This concluding half of the conversation will focus on Mr. Cyrille’s career from his time with Cecil Taylor until the present.
 

 
Andrew Cyrille, born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.
 
Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono (“feelings”) in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor’s group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang’s A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.
 
An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City.
 
(Taken from Drummersworld – Top 500 Drummers)
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Web Extras
 
Read/view our expanded coverage of Vision 21 on our blog, where we have daily reviews, photos, and more!
 
Watch Cyrille with saxophonist Kidd Jordan and bassist William Parker in a live performance at the Vision Festival.
 

 
Watch Cyrille with TRIO3 collaborators saxophonist Oliver Lake and bassist Reggie Workman in a live performance at the Vision Festival.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/12/2016 Show: Andrew Cyrille

DSC_0214
Photo: Andrew Cyrille at 2016 Vision Fest | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, June 12, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will wrap up our coverage of Vision 21 with part one of an interview with composer and drummer/percussionist Andrew Cyrille. Part one of this conversation will focus on Mr. Cyrille’s career up to his time with Cecil Taylor.
 
Andrew Cyrille, born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.
 
Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono (“feelings”) in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor’s group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang’s A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.
 
An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City.
 
(Taken from Drummersworld – Top 500 Drummers)
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Web Extras
 
Read/view our expanded coverage of Vision 21 on our blog, where we have daily reviews, photos, and more!
 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/14/2015 Show: Antonio Sanchez

Antonio_Sanchez

Photo: Antonio Sanchez @ North Sea Jazz Festival, 2007. | Credit: Geneviève Ruocco via Flickr. Creative Commons/ Some rights reserved.

The next show will air on Sunday, June 14, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with drummer Antonio Sanchez.

Four time Grammy Award winner Antonio Sanchez is considered by many critics and musicians alike as one of the most prominent drummers, bandleaders and composers of his generation.

Born in Mexico City on November 1st, 1971, he started playing drums at the age of 5 and began performing professionally early in his teens.

Sanchez pursued a degree in classical piano at Mexico’s National Conservatory and in 1993 he moved to Boston to enroll at Berklee College of Music and New England Conservatory. He graduated Magna Cum Laude in Jazz Studies.

Since his move to New York City in 1999, Sanchez has become one of the most sought after drummers in the international jazz scene. His playing is featured in over a hundred albums and has performed and recorded with some of the biggest names in jazz including Chick Corea, Michael Brecker, Charlie Haden, Gary Burton and Toots Thielmans.

He has been the drummer of choice for 20-time Grammy winner Pat Metheny and has been part of virtually every project the famed guitarist has put together since 2000. They’ve recorded 8 albums together and 3 of them have been awarded the Grammy.

He regularly collaborates with some of the today’s most prominent jazz musicians such as Joshua Redman, Chris Potter, Christian McBride, John Patitucci, Donny McCaslin, Danilo Perez, David Sanchez, Paquito D’Rivera, Kenny Werner, Marcus Roberts, Avishai Cohen, Dee Dee Bridgewater, Dianne Reeves, Miguel Zenon, Scott Colley, Dave Samuels, Luciana Souza, Billy Childs, and Claudia Acuña just to name a few.

Sanchez’s continuous search as an artist has pushed him to compose and lead his own bands and ensembles. He has released 4 critically acclaimed albums under his name. His first one, Migration was called “one of the best new releases of 2007” by All About Jazz and features a star studded cast which includes Pat Metheny, Chick Corea, Chris Potter, David Sanchez and Scott Colley. His second solo effort Live in New York was recored during a 4 day run at the prestigious Jazz Standard in New York City and features saxophone greats David Sanchez and Miguel Zenon as well as bassist Scott Colley.

Antonio’s 2013 album New Life was made entirely of his own compositions and was widely received by critics all over the world. It was the winner of the prestigious German Echo Jazz Award in 2014. Downbeat Magazine said: “New Life is that rare combination of great composing, great players and great musicianship” 2015 will see the release of two very distinct projects that are important milestones in Sanchez’s solo career: Three Times Three, a double album which features three stellar trios: Brad Mehldau and Matt Brewer, John Scofield and Christian McBride and last but not least Joe Lovano and John Patitucci. This record includes six original compositions and three standards arranged by Antonio.

The second 2015 release will be with Migration, his working band since 2011. This edition of the band will feature Seamus Blake on saxophone, John Escreet on piano and Matt Brewer on bass. This album will feature a 60 minute long piece written by Sanchez called “The Meridian Suite” which pushes his compositional skills in a way that no other project has done before.

His writing is also featured on two of Gary Burton’s latest releases. Common Ground and Guided Tour include four of Antonio’s original compositions and the earlier album was named after his tune of the same name.

In 2013 Sanchez was invited by acclaimed filmmaker Alejandro Gonzales Iñarritu (Amores Perros, 21 Grams, Babel, Biutiful) to create the original film score for his 2014 release Birdman (Fox Searchlight) featuring Michael Keaton, Edward Norton, Naomi Watts and Emma Thompson. This is a very unique project that features Sanchez’s drumming as the main musical ingredient in Iñarritu’s film. It won the Sound Stars Award for best Film Score at the 2014 Venice Film Festival and got nominated for the 2014 Hollywood Music in Media Awards for best original Film Score.

Sanchez’s interest in education has taken him around the globe performing clinics, drum festivals and master classes. Some of these festivals include the “Modern Drummer Festival Weekend”, “Zildjian Day” and the “Montreal Drum Festival” among many others. He was also a professor at the prestigious New York University from 2006-2009 but had to stop due to his hectic touring schedule.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Sanchez’s Migration band perform “New Life” live.



Watch Sanchez and guitarist Pat Metheny collabote on “Go Get It” in this short live clip.



Watch Sanchez demonstrate the Birdman composition process to BBC Radio.

Sunday 6/22/14 Show: Hamid Drake

HamidDrake

The next show will air on Sunday, June 22, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of Suga’ in My Bowl will feature percussionist Hamid Drake.

Hamid Drake was born in Monroe, LA, in 1955, and later moved to Chicago with his family. He ended up taking drum lessons with Fred Anderson’s son, eventually taking over the son’s role as percussionist in Anderson’s group. As a result, Fred Anderson also introduced Drake to George Lewis and other AACM members.

Drake also has performed world music; by the late ’70s, he was a member of Foday Muso Suso’s Mandingo Griot Society, and has played reggae.

Hamid Drake has been a member of the Latin jazz band Night on Earth, the Georg Graewe Quartet, the DKV Trio, Peter Brötzmann’s Chicago Octet/Tentet, and Liof Munimula, the oldest free improvising ensemble in Chicago.

By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in improvised music.

Drake has also worked with trumpeter Don Cherry, Pharoah Sanders, Fred Anderson, Mahmoud Gania, bassist William Parker (in a large number of lineups), and has performed a solstice celebration with fellow Chicago percussionist Michael Zerang semiannually since 1991.

Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers Peter Brötzmann, Fred Anderson, and Ken Vandermark, among others.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Photo: Hamid Drake at Vision Fest 2014.| Joyce Jones. Creative Commons CC BY-NC-ND 4.0 licensed.

See our blog for photos and coverage from Vision Fest 19.

Web Extras:

Watch Drake and Fred Anderson.



Watch Drake perform with bassist William Parker and saxophonist Peter Brötzmann in this 2004 clip.

Sunday 6/15/14 Show: J.T. Lewis

JT_Lewis_suga_promo

The next show will air on Sunday, June 15, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of Suga’ in My Bowl will feature drummer JT Lewis, one of New York’s in-demand session drummers and one third of Harriet Tubman, which has been called an “avant metal Jazz band”. This exploration is mostly conducted by Suga’ Associate Producer and web guy Hank Williams.

Lewis has performed/recorded with over 200 artists from all genres from the Jazz greats such as Stanley Turrentine, Roy Ayers, Herbie Hancock, Lena Horne, and Dave Sanborn, to the Pop icons such as Tina Turner, Sting, Lou Reed, Marianne Faithfull, Elvis Costello, Whitney Houston, Debbie Harry, Garland Jeffreys, and Vanessa Williams, to the Jazz revolutionaries such as Don Pullen, David Murray, Henry Threadgill, Marc Ribot, Sonny Sharrock, Pete Cosey, Bill Laswell, Kip Hanrahan, and many more. He is also one of the original members of Vernon Reid’s Living Colour.

He is currently co-leader of ”Harriet Tubman,” featuring Melvin Gibbs (Bass) and Brandon Ross (Guitars).
He has “subbed” for the great Bernard “Pretty” Purdie on the ”Godfathers of Groove” tour featuring Grant Green Jr (guitar) and Rueben Wilson (Hammond B3).

Lewis has been (and still is) the drummer for the Legendary Vanessa Williams for the past 20 yrs. He is currently a part-time Professor at York College teaching drums for the York College Jazz program run by Dr. Tom Zlabinger.

Show engineered and edited by Joyce Jones. Produced and hosted by Joyce Jones and Hank Williams, Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Lewis will be appearing with Sandra St. Victor in the Celebrate Brooklyn! series in Prospect Park on June 28th. You can also catch him in Damrosch Park on August 8th at Lincoln Center’s Out of Doors festival.

Web Extras:

Watch JT in this live performance of the McCoy Tyner classic “Fly With the Wind” with tubist (and former Suga’ guest) Howard Johnson’s Gravity at NYC’s 2014 Winter Jazz fest



Watch JT in this live performance revisiting the Miles Davis classic “Bitches Brew” at the 2010 Montreal Jazz Fest, also featuring former Suga’ guest Adam Rudolph.



Watch JT in this live 2013 performance of the Bille Holiday classic “Strange Fruit” live in Europe with vocalist Cassandra Wilson.

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