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Jazz Guitar

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Sunday 7/10/2016 Show: Mino Cinelu

Mino Cinelu
Photo: Mino Cinelu at a 2016 practice session | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, July 10, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with percussionist, guitarist, and vocalist Mino Cinelu.
 

 
As child, Mino Cinelu first learned to play the guitar. He discovered the drums and percussion and then became professional musician at the age of sixteen. Traveling between London and New York, he collaborated with a huge number of musicians, both in the studios and onstage, people whose origins (jazz, funk, rap, electro, flamenco and pop) were as diverse as Mino’s associations with them were prestigious (Miles Davis, Sting, Weather Report, Herbie Hanckok, Lou Reed, Vicente Amigo, Stevie Wonder, etc…) As a composer, multi-instrumentalist, programmer and producer, Mino has left mark on many kind of music, and his reputation has earned him the status of “a man of all talents”. He has 2 solo albums “Mino Cinelu” and “Quest journey” and the CD of the soundtrack of the film “La Californie”, Prize nominated, Cannes Film Festival.
 
Today, he is a renowned composer, producer and band leader. The World Jazz Ensemble showcases his maturity as a musician and his boundless passion for new sounds.
 
(Taken from Mino Cinelu’s blog and website.)
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Mino Cinelu will be at at Superfine Bar in Brooklyn’s DUMBO on Friday July 15.
 
Web Extras
 
Watch Herbie Hancock introduce a live solo by Cinelu at the Montreaux Jazz Fest.
 

 
Watch Cinelu in a short live percussion solo.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

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January 10, 2016 Show: James Blood Ulmer

James_Blood_Ulmer_475
Photo: James “Blood” Ulmer at the 2014 Vision Festival. | Joyce Jones. Creative Commons CC BY-NC-ND 2.0, Some Rights Reserved.
 
The next show will air on Sunday, January 10, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with composer, guitarist and Blues man James Blood Ulmer, who is one of the artists lined up to be featured during the 2016 Winter Jazz Festival. This program will close out our series focusing on the festival, which starts on January 13.
 

 
James “Blood” Ulmer is one of the few exceptions — an outside guitarist who has forged a style based largely on the traditions of African-American vernacular music. Ulmer is an adherent of saxophonist/composer Ornette Coleman’s vaguely defined Harmolodic theory, which essentially subverts jazz’s harmonic component in favor of freely improvised, non-tonal, or quasi-modal counterpoint. Ulmer plays with a stuttering, vocalic attack; his lines are frequently texturally and chordally based, inflected with the accent of a soul-jazz tenor saxophonist. That’s not to say his sound is untouched by the rock tradition — the influence of Jimi Hendrix on Ulmer is strong — but it’s mixed with blues, funk, and free jazz elements. The resultant music is an expressive, hard-edged, loudly amplified hybrid that is, at its best, on a level with the finest of the Harmolodic school.
 
Ulmer began his career playing in funk bands, first in Pittsburgh (1959-1964) and later around Columbus, OH (1964-1967). Ulmer spent four years in Detroit before moving to New York in 1971. He landed a nine-month gig at the famed birthplace of bop, Minton’s Playhouse, and played very briefly with Art Blakey. In 1973, he recorded with the ex-John Coltrane drummer Rashied Ali and his Quintet on the Survival label. That same year, he hooked up with Ornette Coleman, whose concept affected Ulmer’s music thereafter. The guitarist’s recordings from the late ’70s and early ’80s exhibit a unique take on his mentor’s aesthetic. His blues and rock-tinged art was, if anything, more raw and aggressive than Coleman’s free jazz and funk-derived music (a reflection, no doubt, of Ulmer’s chosen instrument), but no less compelling from either an intellectual or an emotional standpoint. In 1981, Ulmer led the first of three record dates for Columbia, which helped to expose his music to a wider public. Around this time Ulmer began an association with tenor saxophonist David Murray, bassist Amin Ali, and drummer Ronald Shannon Jackson. As the Music Revelation Ensemble, this intermittent assemblage (with various other members added and subtracted) would produce a number of intense, free-blowing albums over a span of almost two decades.
 
Ulmer’s work has varied in quality over the years. In 1987, with the cooperative group Phalanx (George Adams, tenor sax; Sirone, bass; and Rashied Ali, drums), Ulmer drew successfully on the free jazz expressionism that made his name. His ’90s recordings with the Music Revelation Ensemble showed him still capable of playing convincingly in that vein.
 
Ulmer dug deeply into an investigation of the blues as the century turned. First he recorded Memphis Blood: The Sun Sessions with guitarist Veron Reid both performing and producing. The album also starred veteran Ulmer sideman Charles Burnham on violin. In 2003, Ulmer issued No Escape From the Blues, recorded at Electric Lady studio. A thoroughly psychedlic funky take on the genre, Reid and Burnham were present in the same roles once more, and old friend Olu Dara stopped in to contribute as well. In 2005, Blood released Birthright, on Joel Dorn’s Hyena label. It is easily his most intimate recording. Completely solo in the studio (Reid once again produced), it contains ten orignals and two covers of classic reportoire and takes Blood’s blues journey to an entirely new level.
 
Bio adapted from Allmusic.
 
Ulmer will take the stage during the first of the marathon nights at the Winter Jazz Festival on Friday, January 15, 9:00 p.m. at the New School Auditorium, 66 West 12 Street.
 
This program is engineered, produced, hosted and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
The 2016 Winter Jazz Fest runs from January 13-17 at several locations in Greenwich Village. See the full schedule and artist lineup at their website. Head on over to our blog for previews, our annual cheat sheet to selected acts, and a full review when it wraps up.
 
Web Extras
 
Watch Ulmer perform live at the 2015 Skopje Jazz Festival.
 

 
Watch Ulmer perform “Are you Glad to be in America” live.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 12/27/15 Show: Winter Jazz Fest/ Julian Lage

Julian_Lage
Photo: Julian Lage. | Mike Bouchard via Flickr. Creative Commons CC BY-NC-ND 2.0, Some Rights Reserved.
 
The next show will air on Sunday, December 27, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with composer and guitarist Julian Lage, who is one of the artists lined up to be featured during the 2016 Winter Jazz Festival held in January. This program is a second in the series that Suga’ will focus on the 2016 Winter Jazz Festival.
 

 
Julian Lage is somewhat of a child prodigy — playing his instrument at the age of five and performing in public a year later. Shortly thereafter, Lage began playing with such renowned artists as Carlos Santana (when he was only eight years old!), Pat Metheny, Kenny Werner, Toots Thielemans, Martin Taylor, and David Grisman, among others, resulting in Lage being the subject of the 1997 Academy Award-nominated documentary film Jules at Eight. In addition to performing, Lage has recorded as a duo with Grisman (the 1999 release Dawg Duos), and contributed a fine cover of “In a Sentimental Mood” with Martin Taylor and David Grisman, to the 2000 compilation Acoustic Disc: 100% Handmade Music, Vol. 5. Lage has also appeared at numerous jazz concerts/festivals, including the St. Louis Jazz Festival, the Monterey Jazz Festival, and the San Francisco Jazz Festival, and even performed at the 2000 Grammy Awards. In 2009, Lage released his debut solo album, Sounding Point, on Emarcy. The album was widely celebrated as the arrival of a new and authoritative voice on the instrument.
 
This was followed by the concept offering Gladwell in 2011. He fronted a quintet that featured bassist Jorge Roeder, tenor saxophonist Dan Blake, cellist Aristides Rivas, and drummer/percussionist Tupac Mantilla.
 
Lage switched labels for the 2013 Free Flying release on Palmetto Records. It was recorded in duet with pianist Fred Hersch.
 
The duo format apparently agreed with Lage, though its focus shifted a bit. In 2014 he issued two such albums; the first was Avalon with guitarist Chris Eldridge. Produced by the Milk Carton Kids’ Kenneth Pattengale, it contained bluegrass, folk, jazz, and classic pop standards; the pair called it a “love letter to the acoustic guitar.” In late November, Room, with fellow jazz guitarist Nels Cline, appeared on Mack Avenue. Its focus was on a range of material, from intricately composed and complex works to free and spontaneous improvisations.
 
Lage’s most recent release is a solo guitar recording titled World’s Fair on Modern Lore Records in February 2015. Many of these selections will be played during his set as he opens for Channeling Coltrane: Rova’s Electric Ascension during the closing evening of the Winter Jazz Festival on Sunday, January 17.
 
This program is engineered, produced, hosted and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
The 2016 Winter Jazz Fest runs from January 13-17 at several locations in Greenwich Village. See the full schedule and artist lineup at their website. The next Suga’ show will feature our final installment of artists at the festival with guitarist James “Blood” Ulmer. Head on over to our blog for previews, our annual cheat sheet to selected acts, and a full review when it wraps up.
 
Web Extras
 
Watch Lage perform live at the 2012 Winter Jazz Fest.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday, 3/9/14 Show: Catherine Russell

catherine russell bring-crop_sm

The next show will air on Sunday, March 9th, 2013 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. During this installment, Suga’ in My Bowl covers the second of four women in different areas of this music during its four weeks of broadcasting in Women’s History Month. This week’s guest is vocalist, guitarist and mandolin player Catherine Russell.

Catherine Russell is a native New Yorker, born into musical royalty. Her father, the late Luis Russell, was born in Panama, emigrated to New Orleans and then New York City, becoming a legendary pianist/bandleader/arranger/composer, and Louis Armstrong’s long-time collaborator and musical director. Her mother, Carline Ray, was a pioneering bassist/guitarist/vocalist and holder of advanced degrees from Juilliard and Manhattan School of Music, who performed with International Sweethearts of Rhythm, Mary Lou Williams, and Ruth Brown. Not surprisingly considering her pedigree, Catherine Russell is a one of a kind musician and vocalist. A graduate of American Academy of Dramatic Arts, Catherine has toured the world, performing and recording with David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne, Michael Feinstein, Levon Helm, Paul Simon, Rosanne Cash, Carrie Smith, and many others.

Since the 2006 release of her debut album, Cat, on Harmonia Mundi’s World Village label, Catherine Russell has been making new fans and friends.

Three acclaimed and chart topping albums have followed. Her sophomore release in 2008, Sentimental Streak, was helmed by Grammy winning producer/multi-instrumentalist Larry Campbell, winning a prestigious German Record Critics Award.

Her third album, Inside This Heart of Mine released in 2010, contains gems from the 1920’s through the Present, from the likes of Duke Ellington, Fats Waller, Louis Armstrong, Peggy Lee, Maxine Sullivan, Wynonie Harris, Howlin’ Wolf, Rachelle Garniez, and Catherine’s dad, Luis Russell. Inside This Heart of Mine showcases the ever-deepening interpretive wiles of Catherine Russell’s ripe, honey-dipped alto as she personifies the living heart and proud history of each song.

Strictly Romancin’, released in 2012, is a paean to natural attractions; to a lover, an art form, and to one’s family heritage. Our faithful heroine explores love’s foibles, failures, and bliss, from amorous to humorous, embodying the lost art of song savvy, inhabiting the lyric, and allowing each melody to shine. On this 14 song collection, this ever soulful jazz/blues vocalist takes us on a journey; from Harlem dance hall, to Parisian Café, to Store Front Church, to New Orleans Gin Joint, to Uptown Cabaret, blurring distinctions between the carnal and the eternal, in a musical tour de force.

Ms. Russell has performed on three continents, and been a hit on major Jazz Festivals including, Montreal, Monterey, Newport, North Sea, Bern International, Charlie Parker, JazzAscona, Rochester, Detroit International, Tanglewood, Lotus World Music, Panama, I Love Jazz – Brazil, and at sold out shows at premier venues like The Kennedy Center in Washington, D.C., Sculler’s in Boston, The Dakota in Minneapolis, Yoshi’s in San Francisco, Jazz at Lincoln Center in New York City, and The Pasadena Pops in Los Angeles.

In 2012, she won a Grammy Award for her appearance as a featured artist on the soundtrack album for the HBO TV series Boardwalk Empire. In 2013, Russell was heard prominently on the soundtrack for the movie Kill Your Darlings, starring Daniel Radcliffe as a young Allen Ginsberg.

Catherine’s 5th album, Bring It Back was released on February 11, 2014 on the Jazz Village label, a new imprint from Harmonia Mundi. With her new album, Russell digs deeper into a rich vein of musical treasures. Mining collaborations between her legendary father, Luis Russell, and the great Louis Armstrong, Russell brings along the same team from her two previous chart-topping albums. Gems from the Jazz Age and Swing Era performed with new arrangements for 10 piece orchestra, blend seamlessly with reinventions sourced from Blues icons Esther Phillips, Al Hibbler, Wynonie Harris, and Little Willie John.

Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Show produced, engineered, edited, and hosted by Joyce Jones.

Web Extras:

Information on the 1948 musicians’ strike is on Wikipedia and in a longer article in the Wall Street Journal (may require a WSJ subscription).

Sunday 12/15 Show: Pat Metheny

Metheny_Orchestrion_crop
Pat Metheny. Photo credit: Flickr user Steevithak/ Creative Commons licensed.

Reminder: Suga’ in My Bowl now airs weekly on WBAI, except for the last Sunday of the month! Please update your calendars, pass the word on to friends, and share on social media if you like the show.

The next show will air on Sunday December 15, 2013 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature an encore presentation of a 2010 interview with the incredibly versatile guitarist, composer, and bandleader Pat Metheny. It’s a fund drive special, so we’ll be offering the interview and one of Metheny’s CDs as as thanks for a pledge to the station.

Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility – a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional “jazz guitar” sound for a new generation of players. Throughout his career, Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.

Metheny joined us via telephone for an hourlong wide-ranging interview before a rare week-long stint at New York’s Blue Note with bassist Larry Grenadier. Metheny talks about his use of electronics in music, the art of improvisation, his innovative Orchestrion releases and tours, his stint teaching at the prestigious Berklee College of Music as a teenager, and much more. We’ll play excerpts of the interview and music from the entire spectrum of his incredibly prolific career.

What's.It.All.About.Pat.MethenyWe’ll also share cuts from his 2010 What’s It All About solo release, which we’ll be offering along with a copy of the full interview for people who donate to WBAI. All About Jazz‘s Nenad Georgevski calls it “an essential record” in his positive review, noting that “Metheny impresses more with subtlety and melodic logic than with firecrackers. In the end, he has made a record that can lure the listener into emotional spaces that enchant, seduce and delight.”

Please join us and help keep this listener-supported experiment alive. WBAI. Donate to WBAI or pledge for the CD set if you can, but be sure to join us for Suga’ in My Bowl’s latest musical trip!

See the full track list and info on What’s it All About on Allmusic.

Engineered and Produced by Joyce Jones. Hosted by Arts Producers Joyce Jones and Hank Williams.

Web extras:

Watch Metheny play a solo version of “Into the Dream” with the Pikasso 42 string guitar.



In memory of the recently deceased guitar great Jim Hall, watch them perform together live with (former Suga’ guest) bassist Christian McBride.

Next show: Monday 10/10 with Pat Metheny

The next show will air at a special time: Monday October 10 from 10:00pm – Midnight Eastern Standard Time on WBAI, 99.5 FM in the NYC area or streaming online at wbai.org and will feature an interview with the incredibly versatile guitarist Pat Metheny.

Pat Metheny was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphon…e great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility – a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional “jazz guitar” sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument.

During this membership/fund drive special, we will feature a discussion with Pat and share cuts from his latest release “What’s It All About.” Please join us and help keep this listener-supported experiment alive.

Hosted by Arts Producers Joyce Jones and Hank Williams.

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