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Sonia Sanchez

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Tuesday 4/2/2019 Show: Sonia Sanchez and Jessica Care Moore

Photo: Sonia Sanchez and jessica Care moore in 2012 | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

Program note: we’re in a new weekly Tuesday night slot from 10-12 midnight!

The next show will air on Tuesday April 2, 2019 from 10:00 PM – 12 Midnight Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features interviews with poets, activists and educators Sonia Sanchez and jessica Care moore. When this program originally aired, WBAI had moved Suga’ from 9:00 a.m. to 2:00 a.m. in November 2009. Hank Williams joined me for this insightful exchange of ideas and history about these mighty artists.

Sonia Sanchez was born Wilsonia Benita Driver on September 9, 1934, in Birmingham, Alabama. After her mother died in childbirth a year later, Sanchez lived with her paternal grandmother and other relatives for several years. In 1943, she moved to Harlem with her sister to live with their father and his third wife.

She earned a BA in political science from Hunter College in 1955. She also did postgraduate work at New York University and studied poetry with Louise Bogan. Sanchez formed a writers’ workshop in Greenwich Village, attended by such poets as Amiri Baraka (LeRoi Jones), Haki R. Madhubuti (Don L. Lee), and Larry Neal. Along with Madhubuti, Nikki Giovanni, and Etheridge Knight, she formed the “Broadside Quartet” of young poets, introduced and promoted by Dudley Randall.

Among the many honors she has received are the Robert Creeley Award, the Frost Medal, the Community Service Award from the National Black Caucus of State Legislators, the Lucretia Mott Award, the Outstanding Arts Award from the Pennsylvania Coalition of 100 Black Women, the Peace and Freedom Award from Women International League for Peace and Freedom, the Pennsylvania Governor’s Award for Excellence in the Humanities, a National Endowment for the Arts Award, and a Pew Fellowship in the Arts. In 2018, she received the Wallace Stevens Award, given annually to recognize outstanding and proven mastery in the art of poetry.

(Bio adapted from the Academy of American Poets’s  website)

Jessica Care Moore is the CEO of Moore Black Press, Executive Producer of Black WOMEN Rock!, and founder of the literacy-driven, Jess Care Moore Foundation. An internationally renowned poet, playwright, performance artist and producer, she is the 2013 Alain Locke Award Recipient from the Detroit Institute of Arts. moore is the author of The Words Don’t Fit in My Mouth, The Alphabet Verses The Ghetto, God is Not an American, Sunlight Through Bullet Holes, and a memoir, Love is Not The Enemy. Her poetry has been heard on stages like Carnegie Hall, Lincoln Center and the London Institute of Contemporary Arts. She has performed on every continent. jessica Care moore believes poems belong everywhere and to everyone.

Born in Detroit, jessica Care moore first came to national prominence when she won on the legendary “It’s Showtime at the Apollo” competition a record breaking five times in a row. Her searing performance of the poem “Black Statue of Liberty” earned moore several meetings with high profile publishing companies, but in 1997, she paved her own path and launched a publishing company of her own, Moore Black Press. She released her first book, The Words Don’t Fit In My Mouth, and sold more than 20,000 copies. Along with her own work, she proudly published famed poets such Saul Williams, Shariff Simmons, Def Poetry Jam’s co-founder Danny Simmons, NBA player Etan Thomas, Ras Baraka and former Essence Magazine editor Asha Bandele.

Black Tea: The Legend of Jessi James is a highly personal and passionate piece of work. It is decades of jessica’s Care moore’s musicality shared with her audience in a way they have yet to see. There was already music in her poetry; she is now bringing it full circle. The album is produced by moore and pianist Jon Dixon. Features include Imani Uzuri, Roy Ayers, Talib Kweli, Jose James, One Belo and Ursula Rucker. It will be released fall 2014 by moore’s record company Words on Wax in partnership with Javotti Media.

(Bio adapted from the jessica Care moore’s  website)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Sanchez read her poem “Middle Passage” with a live band.

 

Watch moore read her poem “You May Not Know My Detroit.”

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman College in the City University of New York system.

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Sunday 11/2/2014 Show: Revisiting the Black Arts Movement

SOScover_Amiri
Photo: Amiri Baraka | Joyce Jones
The next show will air on Sunday, November 2, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of Suga’ will continue our discussion on the legacy of the Black Arts Movement with Sonia Sanchez and Drs. John Bracey and James Smethurst of the University of Massachusetts Amherst at a release party for their new book on the Black Arts Movement, SOS: Calling All Black People: A Black Arts Movement Reader.

Sonia_sanchez_9217Sonia Sanchez, whose been previously featured on Suga’ in My Bowl, while best known for her poetry and central role in the Black Arts Movement, is also a playwright, activist, and educator. In her presentation, Sanchez recalls the origin of Baraka’s decision to come to Harlem and help organize Black artists and discusses the beginning of Black Studies programs. She also speaks about the role of the Black artist and what she expects of herself as a poet. Sanchez also talks about her discovery of the Schomburg library and Micheaux’s legendary Harlem bookstore and Malcolm X’s influential role in her political and intellectual development.

BraceyPhoto2011Dr. John Bracey is chair of the W.E.B. DuBois Department of Afro American Studies at UMass Amherst, where he’s taught since 1972. In the 1960s, Bracey was active in the Civil Rights and Black liberation movements in Chicago and has focused on this time period in his research. In his presentation, Bracey discusses Baraka’s contributions to the Black Arts, provides context for the emergence of the movement, and makes connections to current artists in hip hop.

Dr. James Smethurst is Professor of Afro American Studies at UMass Amherst. He is author and editor of several books, including The Black Arts Movement: Literary Nationalism in the 1960s and 1970s and The New Red Negro: The Literary Left and African American Poetry, 1930-1946. He is also working on a history of the Black Arts Movement in the south. Smethurst gives a timeline of the Black Arts Movement and discusses the role of Amiri Baraka in the movement.

SOS—Calling All Black People: A Black Arts Movement Reader brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power Movement, it burst onto the scene in the form of artists’ circles, writers’ workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers, and had a presence in practically every community and college campus with an appreciable African-American population. Black Arts activists extended the reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio.

Special thanks to the Center for Black Literature at Medgar Evers College in Brooklyn for permission to record the presentations at their event and to WBAI producer Dred Scott Keyes, who gathered the sound and presented parts of it on his WBAI show Cutting Edge.

Show engineered, produced, hosted, and edited by Joyce Jones. Sound recording and engineering by Dred Scott Keyes. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

This show will feature highlights of our premium for the fall fund drive, which is a 2-CD presentation of the book release event at the Center for Black Literature at Medgar Evers College on October 9, 2014. Discussion panelists were co-editors Sonia Sanchez with Drs. John H. Bracey Jr. and James Smethurst. For your generous financial support to WBAI-FM, you will be able to get a copy of this program, the SOS—Calling All Black People reader, or both! You can also support WBAI (and the show) by donating as little as $5 during the fund drive.

Photos: John Bracey via UMass Afro Am | Sonia Sanchez via Wikimedia Commons / Slowking

Web links:

Pledge for the Suga in My Bowl Black Arts Movement 2-CD audio premium
Pledge for the SOS—Calling All Black People reader from the University of Massachusetts Press.
Donate whatever you can to WBAI to support Suga’ in My Bowl

Sunday 10/19/2014 Show: SOS Black Arts book presentation

SOScover_Amiri
Photo: Amiri Baraka | Joyce Jones
The next show will air on Sunday, October 19, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of Suga’ will focus on the legacy of the Black Arts Movement and feature talks by Sonia Sanchez and Drs. John Bracey and James Smethurst of the University of Massachusetts Amherst at a release party for their new book on the Black Arts Movement, SOS: Calling All Black People: A Black Arts Movement Reader. You can hear a short preview below.

Sonia_sanchez_9217Sonia Sanchez, whose been previously featured on Suga’ in My Bowl, while best known for her poetry and central role in the Black Arts Movement, is also a playwright, activist, and educator. In her presentation, Sanchez recalls the origin of Baraka’s decision to come to Harlem and help organize Black artists and discusses the beginning of Black Studies programs. She also speaks about the role of the Black artist and what she expects of herself as a poet. Sanchez also talks about her discovery of the Schomburg library and Micheaux’s legendary Harlem bookstore and Malcolm X’s influential role in her political and intellectual development.

BraceyPhoto2011Dr. John Bracey is chair of the W.E.B. DuBois Department of Afro American Studies at UMass Amherst, where he’s taught since 1972. In the 1960s, Bracey was active in the Civil Rights and Black liberation movements in Chicago and has focused on this time period in his research. In his presentation, Bracey discusses Baraka’s contributions to the Black Arts, provides context for the emergence of the movement, and makes connections to current artists in hip hop.

Dr. James Smethurst is Professor of Afro American Studies at UMass Amherst. He is author and editor of several books, including The Black Arts Movement: Literary Nationalism in the 1960s and 1970s and The New Red Negro: The Literary Left and African American Poetry, 1930-1946. He is also working on a history of the Black Arts Movement in the south. Smethurst gives a timeline of the Black Arts Movement and discusses the role of Amiri Baraka in the movement.

SOS—Calling All Black People: A Black Arts Movement Reader brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power Movement, it burst onto the scene in the form of artists’ circles, writers’ workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers, and had a presence in practically every community and college campus with an appreciable African-American population. Black Arts activists extended the reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio.

Special thanks to the Center for Black Literature at Medgar Evers College in Brooklyn for permission to record the presentations at their event and to WBAI producer Dred Scott Keyes, who gathered the sound and presented parts of it on his WBAI show Cutting Edge.

Show engineered, produced, hosted, and edited by Joyce Jones. Sound recording and engineering by Dred Scott Keyes. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

This show will feature highlights of our premium for the fall fund drive, which is a 2-CD presentation of the book release event at the Center for Black Literature at Medgar Evers College on October 9, 2014. Discussion panelists were co-editors Sonia Sanchez with Drs. John H. Bracey Jr. and James Smethurst. For your generous financial support to WBAI-FM, you will be able to get a copy of this program. You can also support WBAI (and the show) by donating as little as $5 during the fund drive.

Photos: John Bracey via UMass Afro Am | Sonia Sanchez via Wikimedia Commons / Slowking

Sunday 9/22 Show: Kenny Garrett

Kenny_GarrettThe next show will air on Sunday September 8, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of “Suga’ In My Bowl” will feature an exclusive interview with alto/soprano saxophone player and composer Kenny Garrett. We will discuss his career, and most importantly, his new CD release Pushing the World Away

We’ll begin the program with a short interview with Barbara Attie, Janet Goldwater and Sabrina Schmidt Gordon, who are working on a documentary titled BaddDDD Sonia Sanchez about poet/author/educator (and former Suga’ guest) Sonia Sanchez. There’s a Kickstarter campaign actively in effect. We’ll find out about it and the documentary.

Over the course of a stellar career that has spanned more than 30 years, saxophonist Kenny Garrett has become the preeminent alto saxophonist of his generation. From his first gig with the Duke Ellington Orchestra (led by Mercer Ellington) through his time spent with musicians such as Freddie Hubbard, Woody Shaw, Art Blakey & The Jazz Messengers and Miles Davis, Garrett has always brought a vigorous yet melodic, and truly distinctive, alto saxophone sound to each musical situation. As a bandleader for the last two decades, he has also continually grown as a composer.

For his third Mack Avenue Records release, Pushing the World Away, alto/soprano saxophonist, composer/bandleader Kenny Garrett literally had to “push away” a steady flow of distractions to get to the inner core of the album, shifting priorities in his schedule and diving deep into the essence of the music.

This show is produced, hosted, and engineered by Joyce Jones.

Web Extras:

Watch Kenny Garrett’s solo on John Coltrane’s “A Love Supreme”, performed live in New York with Carlos Santana.


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