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Sunday 10/1/2017 Show: Jack DeJohnette

PhotoJack DeJohnette @ New York’s Charlie Parker Jazz Festival | © Joyce Jones/ Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with Permission.

The next show will air on Sunday, October 1, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This is a broadcast features an interview with drummer, composer, bandleader and pianist Jack DeJohnette.

Born in Chicago in 1942, Jack DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music. He added the drums to his repertoire when he joined his high school concert band at age 14.

“As a child, I listened to all kinds of music and I never put them into categories,” he recalls. “I had formal lessons on piano and listened to opera, country and western music, rhythm and blues, swing, jazz, whatever. To me, it was all music and all great. I‟ve kept that integrated feeling about music, all types of music, and just carried it with me. I’ve maintained that belief and feeling in spite of the ongoing trend to try and compartmentalize people and music.”

By the mid-1960s, DeJohnette had entered the Chicago jazz scene – not just as a leader of his own fledgling groups but also as a sideman on both piano and drums. He experimented with rhythm, melody and harmony as part of the Association for the Advancement of Creative Musicians during the group‟s early days, and later drummed alongside Rashied Ali in the John Coltrane Quintet. He garnered international recognition during his tenure with the Charles Lloyd Quartet, one of the first jazz groups to receive crossover attention.

In 1968, DeJohnette joined Miles Davis‟s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like Live-Evil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972).

During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975.

The mid 1970s were marked by a series of short-lived groups and projects – many of them leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette‟s various other collaborative ventures, especially recordings and tours with Keith Jarrett.

DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013.

DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years, beginning in 1979 with the French Grand Prix Disc and Charles Cros awards. He has figured prominently into readers polls and critics polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society‟s Hall of Fame in 2010.

(Bio adapted from DeJohnette’s official website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

One of DeJohnette’s latest recording projects is as a member of supergroup Hudson, which is the title of the Motéma release with guitarist John Scofiled, keyboardist John Medeski and bassist Larry Grenadier. DeJohnette and Hudson will be at Jazz at Lincoln Center’s Rose Hall on October 6-7.

Web Extras:

Watch DeJohnette play with guitarist John Scofield and keyboardist Larry Goldings in this 2010 live clip.

Watch DeJohnette play with Miles Davis at the Isle of Wight concert in this 1970 live clip.

Watch DeJohnette play with Charles Lloyd’s quintet in this 1966 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

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Sunday 9/17/2017 Show: Ray Mantilla

Photo: Ray Mantilla with World Saxophone Quartet & M’BOOM, Jazz Middelheim, BE, 2010 | © Bruno Bollaert via FlickrCreative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, September 17, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features features “The Complete Percussionist,” composer and instructor Ray Mantilla.

Ray Mantilla was born in 1934 in the rhythm rich, dance-crazed atmosphere of the South Bronx where Afro-Cuban rhythmic forms transmogrified with jazz harmonies and sensibilities in the streets, the homes and dance halls. By 21, Mantilla was on the bandstand playing conga drums along with contemporaries Eddie Palmieri and Ray Barretto, playing that unique Neo-Nuyorican synthesis known as ‘salsa’.

With flutist Herbie Mann, Ray Mantilla entered the international spotlight in 1960. Then, Max Roach invited him to be part of the classic Freedom Now Suite recording. After a stint in Puerto Rico where he honed his skills on the trap set, Ray returned to the States to find himself touring nationally and in Europe and Japan with Art Blakey and the Jazz Messengers. For the seven years Ray was with Blakey he occupied his off-hours doing studio work while recording and performing with almost every major figure in jazz including singers Eartha Kitt and Josephine Baker.

In 1977, Ray Mantilla became the first North American Latin musician to play in Cuba since the Cuban Revolution when he appeared there as an essential member of the historic goodwill ensemble led by Dizzy Gillespie.

Ray Mantilla’s career has included membership in many legendary Jazz and Latin Jazz ensembles. A short list of Mantilla’s credits includes, Max Roach, Charles Mingus, Ray Barretto, Gato Barbieri, Sonny Stitt, Bobby Watson, Herbie Mann, Tito Puente, Cedar Walton, and Freddie Hubbard. Prolific in the studio, Mantilla can be heard on more than 200 albums. Ray Mantilla appeared on the great recording, “Fifty Years of Mambo”, recorded live in Town Hall, New York, which received a Grammy nomination. He has appeared in all major clubs in New York City — the Apollo Theater, Palladium, Blue Note, SOB’s, Birdland, Fat Tuesday’s, Village Gate and the Village Vanguard in addition to many major international jazz festivals such as Sanremo, the Pori Jazz Festival, JVC Jazz Festival, Montreaux Jazz Festival and the Grande Parade du Jazz. He has been voted Percussionist of the Year by the Jazz Journalists Association as well as by major jazz periodicals from around the world – including Jazz Times (USA), Jazz Magazine (Italy), JazzThek (Germany) and others.

Ray Mantilla describes his music as “Latin Jazz with authentic Latino rhythms.” His goal, he says “is to keep playing good music, have people come to see us, and to preserve the tradition.” In 2003 Ray Mantilla signed with Savant Records and his first record for the label, Man-Ti-Ya was released (SCD 2059). His second recording, Good Vibrations (SCD 2073) climbed to the prestigious #1 one spot on jazz radio and remained there for over 3 weeks, overtaking artists such as Eddie Palmieri and Ray Barretto. Ray Mantilla’s latest release on Savant titled High Voltage was released earlier this year in April.

(Bio adapted from Mantilla’s official website.)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Mantilla play in this 2014 live clip from Piacenza Italy.

Watch Mantilla play “Mambo Diablo” with Tito Puente in this live clip.

Watch Mantilla play  in this 2003 live clip from New York City’s JVC Jazz Festival.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 9/3/2017 Show: Lenny White

Photo: Lenny White | © Tore Sætre. Creative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, August 20, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.orgThis special rebroadcast features drummer, producer and composer  Lenny White.

Program Note: We’re rebroadcasting our previous show for the holiday weekend.

Lenny White is still best-known for being part of Chick Corea’s Return To Forever in the 1970’s. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording Bitches Brew with Miles Davis in 1969. White was soon working with some of the who’s who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings. After the breakup of RTF, Lenny White headed several fusion projects but none of the recordings (for Nemperor and Elektra) have dated well at all, emphasizing commercial funk. However his work with the Echoes Of An Era and Griffith Park all-star groups were been more successful and he has been a valuable sideman for a wide variety of projects.

(Bio adapted from White’s page on Allmusic)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch White play in this 2014 live clip.

Watch White play with Chick Corea and Stanley Clarke in this 2014 live clip.

Watch White play “Sorceress” with Return to Forever in this 1976 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 8/20/2017 Show: Lenny White

Photo: Lenny White | © Tore Sætre. Creative Commons (CC BY-SA 4.0). Some Rights Reserved by the artist.

The next show will air on Sunday, August 20, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This is a broadcast features drummer, producer and composer Lenny White.

Program Note: Our last show was pre-empted for WBAI’s Summer Fund Drive. We’re back to our normal schedule now.

Lenny White is still best-known for being part of Chick Corea’s Return To Forever in the 1970’s. White was self-taught on drums and he largely started his career on top, playing regularly with Jackie McLean (1968) and recording Bitches Brew with Miles Davis in 1969. White was soon working with some of the who’s who of jazz including Freddie Hubbard, Joe Henderson, Woody Shaw, Gato Barbieri, Gil Evans, Stanley Clarke and Stan Getz among others. As a member of Return To Forever during 1973-76, White gained a strong reputation as one of the top fusion drummers, but he was always versatile enough to play in many settings. After the breakup of RTF, Lenny White headed several fusion projects but none of the recordings (for Nemperor and Elektra) have dated well at all, emphasizing commercial funk. However his work with the Echoes Of An Era and Griffith Park all-star groups were been more successful and he has been a valuable sideman for a wide variety of projects.

(Bio adapted from White’s page on Allmusic)

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Lenny White will be at the Jazz Standard from August 31 to September 2 with Cyrus Chestnut’s trio.

Web Extras:

Watch White play in this 2014 live clip.

Watch White play with Chick Corea and Stanley Clarke in this 2014 live clip.

Watch White play “Sorceress” with Return to Forever in this 1976 live clip.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 12/25/2016 Show: Francisco Mora Catlett

francisco_mora_catlett_suga_cover
Photo: Francisco Mora Catlett.| Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, December 25, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast continues WBAI’s coverage of the 2017 Winter Jazz Festival. Our featured musical guest is drummer, percussionist, composer and bandleader Francisco Mora Catlett.
 

 
Francisco Mora Catlett comes to his visionary work naturally: born into a family of celebrated artists (Mexican painter Francisco Mora and African-American sculptress Elizabeth Catlett) he began his musical career in Mexico, where he grew up. He studied music at the Berklee School of Music, and subsequently played with Sun Ra’s Arkestra, from 1973 to 1980. In 1987, he released his first album as a leader, the Latin project Mora!, and received a grant from the National Endowment for the Arts to study drumming and percussion with Max Roach in New York City. Mora-Catlett worked with Roach’s advanced all-percussion ensemble M’Boom, appearing on two Blue Moon LPs, 1990’s To the Max and 1992’s Live at S.O.B.’s New York.
 
In 1993, he became a visiting professor of music at Michigan State University, and later began leading his own Latin jazz group, Amigo, which played around the Detroit area. Mora Catlett played percussion on Bug in the Bassbin, – the 1996 debut single by Detroit techno producer Carl Craig’s groundbreaking jazz/electronica fusion project Innerzone Orchestra. He also appeared on the debut Innerzone Orchestra full-length, 1999’s Programmed. The same year, using Innerzone cohorts Craig Taborn (piano) and Rodney Whitaker (bass) as a core trio, Mora Catlett issued his acclaimed second album, World Trade Music.
 
Mora Catlett’s departure to Detroit’s music scene was the creation of The Outer Zone Band, featuring Marshal Allen and Craig Taborn.
After relocating to New York in 2002, Mora-Catlett while co-founding the “Oyu Oro Afro-Cuban Dance Company” with his wife Cuban dancer and choreographer Danys Perez Prades “La Mora.”
 
Partial bio adapted from Francisco Mora Catlett’s website.
 
This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Catlett will be leading his AfroHORN ensemble at the 2017 Winter Jazz Fest in a CD release event for the latest recording At the Edge of the Spiral at Zinc Bar at 11:40 PM on January 7. They’ll also be at Clemente Soto Velez Center on January 19 as part of Arts for Art’s nearly monthlong “Justice is Compassion/ Not a Police State” series.
 
Web Extras
 
Watch Catlett play “Blue People” in this live clip.
 

 
Watch Catlett and AfroHORN play “Spirit One Voice” live at Minton’s.
 

 
Watch the official preview video from the 2017 Winter Jazz Fest!
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 10/2/2016 Show: Milford Graves

milford_graves_suga_cover
Photo: Milford Graves at the Vision Festival – 6/13/2013 | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, October 2, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features a rare interview with percussionist/drummer, acupuncturist, herbalist, gardener, builder, scientist, inventor and martial arts master Milford Graves.
 

 
Milford Graves (born August 20, 1941 in Queens, New York) is an American jazz drummer and percussionist, most noteworthy for his early avant-garde contributions in the early 1960s with Paul Bley and the New York Art Quartet alongside John Tchicai, Roswell Rudd, and Reggie Workman. He is considered to be a free jazz pioneer, liberating the percussion from its timekeeping role. In fact, many of his music contemporaries, musician inspirees, and fans world-wide would argue that Graves is perhaps the most influential known musician in the development and continuing evolution of free-jazz/avant-garde music, to date. Milford Graves taught at Bennington College, in Bennington, Vermont, being a tenured professor from 1973 to 2011; in 2011, he is awarded Emeritus status.
 
Initially playing timbales as a kid growing up in Queens, Graves has worked as a sideman and session musician with a variety of jazz musicians throughout his career, including Pharoah Sanders, Rashied Ali, Albert Ayler, Don Pullen, Kenny Clarke, Don Moye, Andrew Cyrille, Philly Joe Jones, Eddie Gómez, and John Zorn. He has invested his time in research within the field of healing through music.
 
In 2013, Milford Graves along with Drs. Carlo Tremolada and Carlo Ventura received a patent for an invention that relates to a process of preparing a non-expanded tissue derivative, that is not subjected to cell proliferation in vitro, which has a vascular-stromal fraction enriched in stem and multipotent elements, such as pericytes and/or mesenchymal stem cells, or for preparing non-embryonic stem cells obtained from a tissue sample or from such tissue derivative, wherein the tissue derivative or such cells are subjected to vibrations derived from a heart sound to control the degree of differentiation or possible differentiation of the stem and multipotent elements into several other types of cells and optimize their potency. The invention relates also to a device for carrying out the process, to stem cells obtainable by the process as well as a drug for the regeneration of an animal tissue.
 
Bio adapted from Graves’ Wikipedia entry.
 
This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Graves will be appearing at The Village Vanguard with saxophonist Jon Zorn on October 9th and at The Stone in a trio with guitarist Marc Ribot on December 3.
 
Web Extras
 
Watch Milford Graves and saxophonist John Zorn in a 2013 duo performance at the Museum of Modern Art.
 

 
Watch Graves play with saxophonist Marshall Allen and bassist Henry Grimes in this live 2012 set.
 

 
Watch Milford Graves lead a trio in this vintage 1973 clip from European TV.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 8/7/2016 Show: Will Calhoun

Will_Calhoun_Celebrating_Elvin_Jones
Photo: courtesy of Motéma Records
 
The next show will air on Sunday, August 7, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with drummer and percussionist Will Calhoun. Hard-hitting Living Colour drummer Will Calhoun continues in his Jazz roots on his soon to be released Celebrating Elvin Jones. Join us while we discuss the journey that lead to this recording.
 

 
Will Calhoun, the widely acclaimed drummer from the Bronx, New York, graduated from the Berklee School of Music in Boston, where he received a Bachelors degree in Music Production and Engineering. He was also the recipient of the prestigious Buddy Rich Jazz Masters Award for outstanding performance by a drummer.
 
For all you Living Coloür fans, the band has been working on new material under the title of Shade and is scheduled to release in 2017.
 
Celebrating Elvin Jones, Calhoun’s second project on Motema, includes former Suga’ guest Christian McBride and has a release date of August 19. Signed copies of this recording will be available as a thank you gift for a pledge amount of $25, which also includes a year’s WBAI membership. Also, there are still a few copies of MAC_Power_Trio_smallGeri Allen, David Murray, and Terri Lyne Carrington most recent project Perfection, recorded under the MAC Power Trio group name. This CD is available as a thank you gift for a membership pledge amount of $25 to ten (10) listeners. There are also a few autographed copies of Quincy Jones’s Miles and Me book available for a $35 pledge. All of these make great holiday/ birthday/ special occasion gifts — if you can resist keeping them for yourself!
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Will Calhoun will perform work from his new Celebrating Elvin Jones CD at a free outdoor performance in Harlem at Marcus Garvey Park on August 12 as part of the Jazzmobile series. You can catch him in a totally different vibe on the 28th with Living Coloür at the Afropunk festival in Brooklyn’s Commodore Barry Park.
 
Web Extras
 
Read our reviews and coverage of Will’s shows on our blog.
 
Watch the video preview of the Celebrating Elvin Jones with Will and other band members.
 

 
Watch Calhoun light up the room with a drum solo at a Living Colour concert.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/26/2016 Show: Andrew Cyrille part 2

DSC_0214
Photo: Andrew Cyrille at 2016 Vision Fest | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, June 26, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will wrap up our coverage of Vision 21 with part two of an interview with composer and drummer/percussionist Andrew Cyrille. This concluding half of the conversation will focus on Mr. Cyrille’s career from his time with Cecil Taylor until the present.
 

 
Andrew Cyrille, born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.
 
Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono (“feelings”) in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor’s group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang’s A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.
 
An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City.
 
(Taken from Drummersworld – Top 500 Drummers)
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Web Extras
 
Read/view our expanded coverage of Vision 21 on our blog, where we have daily reviews, photos, and more!
 
Watch Cyrille with saxophonist Kidd Jordan and bassist William Parker in a live performance at the Vision Festival.
 

 
Watch Cyrille with TRIO3 collaborators saxophonist Oliver Lake and bassist Reggie Workman in a live performance at the Vision Festival.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/12/2016 Show: Andrew Cyrille

DSC_0214
Photo: Andrew Cyrille at 2016 Vision Fest | Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, June 12, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will wrap up our coverage of Vision 21 with part one of an interview with composer and drummer/percussionist Andrew Cyrille. Part one of this conversation will focus on Mr. Cyrille’s career up to his time with Cecil Taylor.
 
Andrew Cyrille, born in Brooklyn on November 10, 1939, studied with Philly Joe Jones in 1958 and then spent the first half of the 1960s studying in New York at Juilliard and the Hartnett School of Music. At the same time, he was performing with jazz artists ranging from Mary Lou Williams, Coleman Hawkins, and Illinois Jacquet to Kenny Dorham, Freddie Hubbard, Walt Dickerson, and Rahsaan Roland Kirk, among others. He also played with Nigerian drummer Babtunde Olatunji and worked with dancers. In 1964 he formed what would prove to be an eleven-year association with Cecil Taylor, a gig that brought him new acclaim and established him in the vanguard of jazz drumming.
 
Starting in 1969, Cyrille played in a number of percussion groups with notable drummers including Kenny Clarke, Milford Graves, Don Moye, Rashied Ali, Daniel Ponce, Michael Carvin, and Vladimir Tarasov. Cyrille formed his group Maono (“feelings”) in 1975, with its fluid membership dictated by the forces his compositions called for rather than vice versa. Since leaving Taylor’s group, he has also worked with such top-flight peers as David Murray, Muhal Richard Abrams, Mal Waldron, Horace Tapscott, James Newton, and Oliver Lake, was the drummer on Billy Bang’s A Tribute to Stuff Smith (Soul Note 121216), notable for being the last studio session of Sun Ra.
 
An artist-in-residence and teacher at Antioch College (Yellow Springs, Ohio) from 1971 to 1973, Cyrille has also taught at the Graham Windham Home for Children in New York and is currently a faculty member at the New School for Social Research in New York City.
 
(Taken from Drummersworld – Top 500 Drummers)
 
This program is hosted, engineered, produced, and edited by Joyce Jones.
 
Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Web Extras
 
Read/view our expanded coverage of Vision 21 on our blog, where we have daily reviews, photos, and more!
 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 6/14/2015 Show: Antonio Sanchez

Antonio_Sanchez

Photo: Antonio Sanchez @ North Sea Jazz Festival, 2007. | Credit: Geneviève Ruocco via Flickr. Creative Commons/ Some rights reserved.

The next show will air on Sunday, June 14, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with drummer Antonio Sanchez.

Four time Grammy Award winner Antonio Sanchez is considered by many critics and musicians alike as one of the most prominent drummers, bandleaders and composers of his generation.

Born in Mexico City on November 1st, 1971, he started playing drums at the age of 5 and began performing professionally early in his teens.

Sanchez pursued a degree in classical piano at Mexico’s National Conservatory and in 1993 he moved to Boston to enroll at Berklee College of Music and New England Conservatory. He graduated Magna Cum Laude in Jazz Studies.

Since his move to New York City in 1999, Sanchez has become one of the most sought after drummers in the international jazz scene. His playing is featured in over a hundred albums and has performed and recorded with some of the biggest names in jazz including Chick Corea, Michael Brecker, Charlie Haden, Gary Burton and Toots Thielmans.

He has been the drummer of choice for 20-time Grammy winner Pat Metheny and has been part of virtually every project the famed guitarist has put together since 2000. They’ve recorded 8 albums together and 3 of them have been awarded the Grammy.

He regularly collaborates with some of the today’s most prominent jazz musicians such as Joshua Redman, Chris Potter, Christian McBride, John Patitucci, Donny McCaslin, Danilo Perez, David Sanchez, Paquito D’Rivera, Kenny Werner, Marcus Roberts, Avishai Cohen, Dee Dee Bridgewater, Dianne Reeves, Miguel Zenon, Scott Colley, Dave Samuels, Luciana Souza, Billy Childs, and Claudia Acuña just to name a few.

Sanchez’s continuous search as an artist has pushed him to compose and lead his own bands and ensembles. He has released 4 critically acclaimed albums under his name. His first one, Migration was called “one of the best new releases of 2007” by All About Jazz and features a star studded cast which includes Pat Metheny, Chick Corea, Chris Potter, David Sanchez and Scott Colley. His second solo effort Live in New York was recored during a 4 day run at the prestigious Jazz Standard in New York City and features saxophone greats David Sanchez and Miguel Zenon as well as bassist Scott Colley.

Antonio’s 2013 album New Life was made entirely of his own compositions and was widely received by critics all over the world. It was the winner of the prestigious German Echo Jazz Award in 2014. Downbeat Magazine said: “New Life is that rare combination of great composing, great players and great musicianship” 2015 will see the release of two very distinct projects that are important milestones in Sanchez’s solo career: Three Times Three, a double album which features three stellar trios: Brad Mehldau and Matt Brewer, John Scofield and Christian McBride and last but not least Joe Lovano and John Patitucci. This record includes six original compositions and three standards arranged by Antonio.

The second 2015 release will be with Migration, his working band since 2011. This edition of the band will feature Seamus Blake on saxophone, John Escreet on piano and Matt Brewer on bass. This album will feature a 60 minute long piece written by Sanchez called “The Meridian Suite” which pushes his compositional skills in a way that no other project has done before.

His writing is also featured on two of Gary Burton’s latest releases. Common Ground and Guided Tour include four of Antonio’s original compositions and the earlier album was named after his tune of the same name.

In 2013 Sanchez was invited by acclaimed filmmaker Alejandro Gonzales Iñarritu (Amores Perros, 21 Grams, Babel, Biutiful) to create the original film score for his 2014 release Birdman (Fox Searchlight) featuring Michael Keaton, Edward Norton, Naomi Watts and Emma Thompson. This is a very unique project that features Sanchez’s drumming as the main musical ingredient in Iñarritu’s film. It won the Sound Stars Award for best Film Score at the 2014 Venice Film Festival and got nominated for the 2014 Hollywood Music in Media Awards for best original Film Score.

Sanchez’s interest in education has taken him around the globe performing clinics, drum festivals and master classes. Some of these festivals include the “Modern Drummer Festival Weekend”, “Zildjian Day” and the “Montreal Drum Festival” among many others. He was also a professor at the prestigious New York University from 2006-2009 but had to stop due to his hectic touring schedule.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Sanchez’s Migration band perform “New Life” live.



Watch Sanchez and guitarist Pat Metheny collabote on “Go Get It” in this short live clip.



Watch Sanchez demonstrate the Birdman composition process to BBC Radio.

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