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Joyce Jones

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Sunday 11/1/15 Show: Craig Harris

Craig_Harris_Suga

The next show will air on Sunday, November 1, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with composer and trombonist Craig Harris as we celebrate the anniversary of an afternoon Jazz series in Harlem, which he is one of the curators.

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone with him. From the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, and into the confrontational expressionism of the ’60s avant-garde, Harris handled the total vernacular the way a skilled orator utilizes the spoken word.

He has performed with a veritable Who’s Who of progressive jazz’ most important figures – including Sun Ra, Cecil Taylor, Sam Rivers, Abdullah Ibrahim, Jaki Byard, Muhal Richard Abrams, David Murray, Henry Threadgill, Lester Bowie, The WORLD Saxophone Quartet, The Roots, RAKIM and the list goes on and on – his own projects displayed both a unique sense of concept and a total command of the sweeping expanse of musical expression. And it’s those two qualities that have dominated Craig’s past 15 years of activity, bringing him far beyond the confines of the jazz world and into the sphere of multimedia and performance art as composer, performer, conceptualist, curator and artistic director. Harris’ innovative approach to composition reflected in projects like Souls Within the Veil, composed to commemorate the centennial of W. E. B. Du Bois’ The Souls of Black Folk; Brown Butterfly, a multi-media work based on the movement of Muhammad Ali with video, dance, and music; and God’s Trombones based on James Weldon Johnson’s classic collection of poems that refigure inspirational sermons by itinerant Negro preachers. These works represent various strands of the African American folk tradition.

Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

This is a fund drive show and supporting WBAI Radio helps keep us on the air! Contributing as little as $5 supports the station and sends the message that people want to hear jazz and our show. If you like what you hear or are feeling generous, you can pledge for our exclusive “Who Owns Music” DVD with the full conversation with the above guests.

Harris will the headliner for for two lunchtime sets at his weekly Tuesday afternoon jazz series at Harlem’s Rendall Memorial Presbyterian Church on November 3.

Web Extras

Watch a live excerpt from Harris’s God’s Trombones.

Watch a live performance of Harris’s Brown Butterfly suite.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

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Sunday 10/18/2015 Show: Who Owns Music?

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The next show will air on Sunday, October 18, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast feature .

The popularity of the hit series Empire has let loose a flurry of conversation about the the hip hop industry’s inner workings and joins ongoing debates about the future of music and the music industry. With that backdrop, Suga in My Bowl presents a dynamic and timely discussion on the question of Who Owns Music with a focus on the present and future Jazz scene.

We’ll discuss the role of “gatekeepers.” Who decides what music gets produced? Who decides what gets airplay? Who has access to clubs and gigs? Who shapes the opinions and ideas of what people hear? And what does this mean for listeners and the future of music? What can we do about it?

This event brings together musicians, writers and broadcast professionals to discuss these important issues and raise funds for listener-supported community radio!

Participant bios:

William Parker is an improviser, and composer. He plays the bass, shakuhachi, double reeds, tuba, donson ngoni and gembri. Born in 1952 in the Bronx, New York, Parker has studied bass with Richard Davis, Art Davis, Milt Hinton, Wilber Ware, and Jimmy Garrison. In 1995, the Village Voice called Parker “the most consistently brilliant free jazz bassist of all time.” With dancer Patricia Nicholson Parker, this husband and wife team have been involved with artist collectives and the grassroots loft jazz scene since the 1970s. Through dogged determination, their Vision Festival celebrates 20 years in 2015. Parker is also a theorist and author of several books including a collection of writings titled Who Owns Music.

Sheila Anderson is primarily associated with being an on-air host and programmer at WBGO-FM, but is also a consultant for Jazzmobile and emceed their wildly popular Grant’s Tomb concerts for 8 years. She has also produced a jazz series at the Newark Museum. Anderson is the author of several articles and books, including the Little Red Book of Musician’s Wisdom; How to Grow as a Musician: What All Musicians Need to Know to Succeed.

Quincy Troupe’s energetic, highly syncopated poetry melds contemporary music rhythms—such as rap, jazz, and be-bop—to a “furious rush of images, sometimes jarring, arising from personal experience,” according to Los Angeles Times critic Tony Perry. Celebratory, but also cautionary, Troupe’s subjects range from jazz and sports to racism and urban decay; a member of the Watts Writers Workshop in the 1960s, he is frequently grouped with Black Arts Movement writers like Amiri Baraka, Nikki Giovanni, and Haki Madhubuti. Troupe’s editorial skill was instrumental in the landmark publication of Miles: the Autobiography. He currently edits Black Renaissance Noire, New York University’s Africana Studies Department’s journal.

Ahmed Abdullah leads the group Diaspora (Dispersions of the Spirit of Ra), which combines poetry and lyrics with a large instrumental ensemble. He formed Melchizedek Music Productions in 1995 with his wife, Monique Ngozi Nri. Together, they have produced concerts locally and abroad. In 1998, Abdullah was offered the position of Music Director of Sistas’ Place in Bedford Stuyvesant. Since then, he has introduced many of the adventurous musicians of the 70’s Loft Movement to this venue with great success. His vision has allowed for the expansion of its Saturday Night Jazz programming, from a bi-monthly to a weekly format initiating several new forums along the way.

Co-Hosts:

Joyce Jones is the creator, host, and executive producer of Suga in My Bowl on WBAI Radio. She has also created and produced several radio documentary specials. She is also a graphic designer, percussionist, and has had her photography published in Black Renaissance Noir.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

This is a fund drive show and supporting WBAI Radio helps keep us on the air! Contributing as little as $5 supports the station and sends the message that people want to hear jazz and our show. If you like what you hear or are feeling generous, you can pledge for our exclusive “Who Owns Music” DVD with the full conversation with the above guests.

Sunday 7/26/15 Show: Kurt Elling

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The next show will air on Sunday, July 26, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with the versatile vocalist Kurt Elling.

GRAMMY® winner Kurt Elling is among the world’s foremost jazz vocalists. He has won every DownBeat Critics Poll for the last fourteen years and has been named “Male Singer of the Year” by the Jazz Journalists Association eight times in that same span. Every one Elling is a renowned artist of vocalese—the writing and performing of words over recorded improvised jazz solos. The natural heir to jazz pioneers Eddie Jefferson, King Pleasure and Jon Hendricks, Elling has set his own lyrics to the improvised solos of Wayne Shorter, Keith Jarrett and Pat Metheny. He often incorporates images and references from writers such as Rilke, Rumi, Neruda and Proust into his work. The late poet and Bollingen Prize winner Robert Creeley wrote, “Kurt Elling takes us into a world of sacred particulars. His words are informed by a powerful poetic spirit.” Said Robert Pinsky, former Poet Laureate of the United States, “In Kurt Elling’s art, the voice of jazz gives a new spiritual presence to the ancient, sweet and powerful bond between poetry and music.”

Elling has toured vigorously throughout his career, thrilling audiences throughout the world. In that time he has led his own ensemble and has collaborated with many of the world’s finest orchestras.

Elling’s new album Passion World is indeed all about “passions” – the forces that shake our souls. As one of the busiest touring jazz artists, Elling has encountered these passions around the world; he has observed how the same depth of feeling is shaped in different ways by each unique culture through which it is filtered. The result is an album vibrant with diversity and variety, and at the same time a singular celebration of what makes us all human.

Bio excerpt courtesy of www.kurtelling.com.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras

Watch Elling’s stunning version of “Nature Boy” recorded live with the Sydney Symphony Orchestra.

Watch the preview video for Elling’s Passion World release.

Watch Elling’s adaptation of Coltrane’s “Resolution” recorded live at the Newport Jazz Festival.

Sunday 7/12/15 Show: Nina Simone

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The next show will air on Sunday, July 12, 2015 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast will feature an interview with filmmaker Liz Garbus; the writing of poet Pamela Sneed; and a conversation with Nina Simone’s brother, educator, bandmate and once manager Sam Waymon. We have included Mary Phillips, Assistant Professor of African and African American Studies at The City University of New York (CUNY)-Lehman College to discuss Black Power Feminism in relation to Simone’s political significance.

This show will use Garbus’s documentary film What Happened, Miss Simone? as a springboard to discuss Simone’s life, art, and politics and expand on what’s in the film.

Born Eunice Kathleen Waymon in Tryon, North Carolina on February 21st, 1933, Simone’s prodigious talent as a musician was evident early on when she started playing piano by ear at the age of three. Her mother, a Methodist minister, and her father, a handyman and preacher himself, couldn’t ignore young Eunice’s God-given gift of music. Raised in the church on the straight and narrow, her parents taught her right from wrong, to carry herself with dignity, and to work hard. She played piano – but didn’t sing – in her mother’s church, displaying remarkable talent early in her life. Able to play virtually anything by ear, she was soon studying classical music with an Englishwoman named Muriel Mazzanovich, who had moved to the small southern town. It was from these humble roots that Eunice developed a lifelong love of Johann Sebastian Bach, Chopin, Brahms, Beethoven and Schubert. After graduating valedictorian of her high school class, the community raised money for a scholarship for Eunice to study at Julliard in New York City before applying to the prestigious Curtis Institute of Music in Philadelphia. Her family had already moved to the City Of Brotherly Love, but Simone’s hopes for a career as a pioneering African American classical pianist were dashed when the school denied her admission. To the end, she herself would claim that racism was the reason she did not attend. While her original dream was unfulfilled, Eunice ended up with an incredible worldwide career as Nina Simone – almost by default.

To survive, she began teaching music to local students. One fateful day in 1954, looking to supplement her income, Simone auditioned to sing at the Midtown Bar & Grill on Pacific Avenue in Atlantic City, New Jersey. Word spread about this new singer and pianist who was dipping into the songbooks of Gershwin, Cole Porter, Richard Rodgers, and the like, transforming popular tunes of the day into a unique synthesis of jazz, blues, and classical music. Her rich, deep velvet vocal tones, combined with her mastery of the keyboard, soon attracted club goers up and down the East Coast. In order to hide the fact that she was singing in bars, Eunice’s mother would refer to the practice as “working in the fires of hell”, overnight Eunice Waymon became Nina Simone by taking the nickname “Nina” meaning “little one” in Spanish and “Simone” after the actress Simone Signoret.

When Nina Simone died on April 21, 2003, she left a timeless treasure trove of musical magic spanning over four decades from her first hit, the 1959 Top 10 classic “I Loves You Porgy,” to “A Single Woman,” the title cut from her one and only 1993 Elektra album. While thirty-three years separate those recordings, the element of honest emotion is the glue that binds the two together – it is that approach to every piece of work that became Simone’s uncompromising musical trademark.

By the end of her life, Simone was enjoying an unprecedented degree of recognition. Her music was enjoyed by the masses due to the CD revolution, discovery on the Internet, and exposure through movies and television. Simone had sold over one million CDs in the last decade of her life, making her a global catalog best-seller.

Bio excerpt courtesy of www.ninasimone.com.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras

Watch the trailer for the Liz Garbus documentary film What Happened, Miss Simone?

Sunday 6/9 show: Joe Sample

Joe Sample/ Flickr user Tom.Beetz via Wikicommons

Joe Sample/ Flickr user Tom.Beetz via Wikicommons

The next show will air on Sunday June 9, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of “Suga’ In My Bowl” will feature an exclusive interview with pianist Joe Sample, known to many from his work with The Jazz Crusaders (later The Crusaders). You can hear a short preview below.One of the many jazzmen who started out playing hard bop but went electric during the fusion era, Joe Sample was, in the late ’50s, a founding member of the Jazz Crusaders along with trombonist Wayne Henderson, tenor saxman Wilton Felder, and drummer Stix Hooper. The Crusaders’ debt to Art Blakey’s Jazz Messengers wasn’t hard to miss — except that the L.A.-based unit had no trumpeter, and became known for its unique tenor/trombone front line. Sample, a hard-swinging player who could handle chordal and modal/scalar improvisation equally well, stuck to the acoustic piano during The Crusaders’ early years — but would place greater emphasis on electric keyboards when the band turned to jazz-funk in the early ’70s and dropped “Jazz” from its name. Though he’d recorded as a trio pianist on 1969’s Fancy Dance, 1978’s Rainbow Seeker was often described as his first album as a leader. In contrast to the gritty music The Crusaders became known for, Sample’s own albums on MCA and, later, Warner Bros. and PRA have generally favored a very lyrical and introspective jazz-pop approach.

Sunday 5/19 show: Abbey Lincoln tribute

941476_10201258401371900_1206633860_nThe next show will air on Sunday May 19, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. On the heels of pianist Marc Cary’s recent Harlem Stage events and new release honoring Abbey Lincoln, this installment of “Suga’ In My Bowl” will continue to honor renaissance woman Abbey Lincoln. This special was originally offered in October 2010. You can hear a short preview below.

Most people are only familiar with Abbey Lincoln as a singer and actress. However, Ms. Lincoln was also published poet, writer, visual artist and composer. During this special, several artists will either share their personal tributes and/or read the work of Ms. Lincoln. Contributing artists include:

Sonia Sanchez, who will read Ms. Lincoln’s piece “To Whom Will She Cry Rape?” from the 1970 Toni Cade Bambara anthology “The Black Woman” and originally printed in a 1966 issue of “The Negro Digest.” Latasha N. Nevada Diggs will read Ms. Lincoln’s poetry which was included in Amina and Amiri Baraka’s 1983 anthology titled “Confirmation: An Anthology of African American Women.” Lashonda Katrice Barnett, author of “I Got Thunder: Black Women Songwriters on Their Craft,” which featured an exchange with Abbey Lincoln, will read excerpts from Ms. Lincoln’s unpublished autobiography. Rembrances from political prisoner Mumia Abu Jamal, writers the late Jayne Cortez, Amina and Amiri Baraka, Mark Anthony Neal, Farah Jasmine Griffin and Carl Hancock Rux, filmmakers Ifa Bayeza (“You Gotta Pay The Band”) and Carol Friedman (“Abbey Lincoln: The Music Is The Magic” in production), Maggie Brown (daughter of Oscar Brown Jr.), bassists Christian McBride and Charlie Haden.

These contributions will be offered as a 2-CD set in an effort to help continue this listener-supported experiment that is WBAI/Pacifica Radio. Please join us as we continue to remember Ms. Abbey Lincoln (Aug. 6, 1930 – Aug. 14, 2010).

Co-Hosted by Joyce Jones and Hank Williams. Produced and engineered by Arts Producer Joyce Jones.

Sunday 5/5 show: Will Calhoun

Will_CalhounThe next show will air on Sunday May 5, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature drummer and percussionist Will Calhoun.

Hard-hitting Living Colour drummer Will Calhoun returns to his Jazz roots on his soon to be released “Life In this World.” Join us while we discuss parts of Brother Will’s drum and recording journey.

Will Calhoun, the widely acclaimed drummer from the Bronx, New York, graduated from the Berklee School of Music in Boston, where he received a Bachelors degree in Music Production and engineering. He was also the recipient of the prestigious Buddy Rich Jazz Masters Award for outstanding performance by a drummer.

Will’s first jazz CD as a bandleader is entitled The Will Calhoun Quintet: Live at the Blue Note. The disc is an adventurous journey through Will’s approach to acoustic Jazz, World and Ambient music. The line-up features Bobby Watson-sax, Terrell Stafford-trumpet, John Benitez-bass and Orrin Evans-piano. Will’s song writing, arrangements and drumming on this CD are ground breaking. Although this was Will’s first attempt at fronting a jazz group, Down Beat Magazine, Jazz Times, and Billboard Magazine have given the CD top ratings. Drum Magazine’s readers poll voted Will’s CD 1st runner up for Drummer/Band leader.

One of Will’s latest creations is his follow-up release on the Halfnote label: Native Lands. Native Lands can be described as Jazz meets World, meets trance-inducing Urban music. This is a double package – CD/DVD in which Calhoun marries his far reaching interests in a genre-bending collection that taps key expressionists from various backgrounds. Among those contributing are Pharoah Sanders, Mos Def, Buster Williams, Stanley Jordan, Kevin Eubanks, Marcus Miller and Wallace Roney, as well as Nana Vasconcelos from Brazil and Cheick Tidiane Seck from Mali. The album includes a DVD with over ninety minutes of music videos and documentary materials that chronicle the last ten years of Will’s life and travels.

The “Life In This World” CD Release event is scheduled for Friday to Sunday, May 17-19, 2013 at New York City’s Blue Note. See the Tour Schedule page on Will’s site for additional dates.

For all you Living Colour fans, the band is touring again and working on new material. See their tour schedule for information for these dates.

Produced, engineered, edited, and hosted by Joyce Jones.

Web Extras

Watch Will, keyboardist Marc Cary, and bassist Charnett Moffett perform a blistering live version of “King Tut Strut” at NYC’s Blue Note in 2012.

Watch Oumou Sangare with her band featuring Will at the 2012 Essaouira Gnaoua and World Music Festival.

Sunday 3/24 show: Diane Schuur

The next show will air on Sunday March 24, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature vocalist and pianist Diane Schuur. Listen to a short preview below:

481165_10151495232041170_424525180_nBorn in Tacoma, Washington, in December 1953, Schuur was blind from birth. She grew up in nearby Auburn, Washington, where her father was a police captain. Nicknamed Deedles at a young age, Schuur discovered the world of jazz via her father, a piano player, and her mother, who kept a formidable collection of Duke Ellington and Dinah Washington records in the house.

She was still a toddler when she learned to sing the Dinah Washington signature song, “What a Difference a Day Makes.” Armed with the rare gift of perfect pitch, Schuur taught herself piano by ear and developed a rich, resonant vocal style early on, as evidenced in a recording of her first public performance at a Holiday Inn in Tacoma when she was ten years old. She received formal piano training at the Washington State School for the Blind, which she attended until age 11. By her early teens, she had amassed her own collection of Washington’s records and looked to the legendary vocalist as her primary inspiration.

Schuur made her first record in 1971, a country single entitled “Dear Mommy and Daddy,” produced by Jimmy Wakely. After high school, she focused on jazz and gigged around the northwest. In 1975, an informal audition with trumpeter Doc Severinson (then the leader of the Tonight Show band) led to a gig with Tonight Show drummer Ed Shaughnessy’s group at the Monterey Jazz Festival. She sang a gospel suite with Shaughnessy’s band in front of a festival audience that included jazz tenor saxophonist Stan Getz, who in turn invited her to participate in a talent showcase at the White House. A subsequent return performance at the White House led to a record deal with GRP, which released Schuur’s debut album, Deedles, in 1984.

Over the next 13 years, Schuur recorded 11 albums on GRP, including two Grammy winners: Timeless (1986) and Diane Schuur and the Count Basie Orchestra (1987).

After one album on Atlantic records in 1999 – Music is My Life, produced by Ahmet Ertegun – Schuur joined the Concord label with the 2000 release of Friends For Schuur. The move to Concord marked the beginning of a series of highly successful collaborative projects: Swingin’ For Schuur (2001), a set of finely crafted duets with trumpeter Maynard Ferguson; Midnight (2003), Schuur’s unique interpretations of thirteen songs (mostly new material) written or co-written by Barry Manilow; and Schuur Fire (2005), a decidedly Latin-flavored album featuring the Caribbean Jazz Project.

Schuur’s February 2008 Concord release, Some Other Time, is a recording of songs by jazz artists whom she first discovered via her parents during her childhood and adolescent years. The set also includes a surprisingly mature-sounding rendition of “September in the Rain,” recorded at the Holiday Inn in Tacoma in 1964 when Schuur was only ten years old.

Diane Schuur’s latest studio release, The Gathering, is unique in both material and style, and features special guests Alison Krauss, Vince Gill, Mark Knopfler, Larry Carlton and Kirk Whalum. The Gathering is a collection of 10 classic country songs, mostly written during the golden era of the 1960s, and is the first time Schuur has featured this genre of music to this extent.

Schuur’s most recent release is Diane Schuur Live, and it is a unique and special album as it’s a project close to Diane’s heart. This album is dedicated to Diane Schuur’s husband, Les Crockett. The recording takes place where she and her husband shared a magical night reflecting on memories of the very place they first met 16 years earlier.

Engineered, Produced, and Hosted by Joyce Jones.

WBAI’s financial situation remains dire due to back rent owed on their transmitter at NYC’s Empire State Building. Please give what you can to the WBAI Transmitter Fund and/or come out next Wednesday, March 27, for the WBAI Dance Party at S.O.B.’s.

Web extra: Watch Diane Schuur and Ray Charles perform live.

Sunday 3/10 show: René Marie

Note: Suga’ in My Bowl’s new Behind the Mic blog is now up and running. We’ll use it to expand on some of the shows, artists, and ideas you’ve heard on the show and post related content, new release info, and provide a space for discussion. We’re still tweaking it, but invite you to head over and check it out.

Our home station WBAI is in a serious crisis due to back back rent owed on their transmitter at NYC’s Empire State Building. They’ve struggled in the past, but this time the situation is serious. Details are on the Pacifica Radio Network home page. You can also donate directly to the transmitter fund.

The next show will air on Sunday March 10, 2013 from 11 PM to 1 AM Eastern Standard Time on WBAI Radio, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature composer, vocalist and warrior queen René Marie. Listen to a short preview below:

rene14René Marie, the award winning singer whose style incorporates elements of jazz, soul, blues and gospel, has quickly become a heroine to many; a woman of great strength exuding stamina and compassion; often explaining how finding her voice and self through singing gave her the courage to leave an abusive marriage. But since the release of her recording debut, Renaissance, this Colorado based heroine has also evolved into one of the greatest and most sensuous vocalists of our time. Unmistakably honest and unpretentious while transforming audiences worldwide with her powerful interpretations, electrifying deliveries and impassioned vocals — René Marie has drawn a legion of fans and music critics who find themselves not only entertained, but encouraged and even changed by her performances.

It is hard to believe that Marie didn’t sing professionally until after she turned 40. But in fact, the Virginia native, married at 18, mother of two by 23 and a member of a strict religious group with her then husband only occasionally sang in public while she was focused on raising a family. It was in 1996 that Marie’s eldest son Michael urged her to take the plunge to pursue a career. “He told me that was exactly what I needed to do” she explains. Two years later following an ultimatum by her husband to either stop singing or leave their home, she chose to leave after 23 years of marriage.

Hosted, produced, and engineered by Joyce Jones.

Don’t forget to give to the WBAI Transmitter Fund. If there is no transmitter, there really is no WBAI.

Web extras

Listen to the full song “Black Lace Freudian Slip”. (Background music for the Suga’ show teaser.)

Watch René Marie sing “This is Not a Protest Song” live.

Sunday 2/17 show: The Brazilian Journey with Dr. Judith King-Calnek

Note: Suga’ in My Bowl’s new blog, which we’re calling Behind the Mic is now up and running. We’ll use it to expand on some of the shows, artists, and ideas you’ve heard on the show and post related content, new release info, and provide a space for discussion. Right now, there’s a short interview with Dr. Judith King-Calnek, presenter of the Brazilian Journey. We’re still tweaking it, but invite you to head over and check it out.

The next show will air on Sunday February 17, 2013 from 11:00pm – 1:00am Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature “The Brazilian Journey” presented by Dr. Judith King-Calnek. Join us as we do our part to continue an educational component of the Pacifica Mission during this Winter Membership Drive. Listen to a short preview below:

As Suga’ in My Bowl did with “The Journey” with Bobby Sanabria and “The Blues Journey” with Dr. Guthrie Ramsey, we tapped an expert to walk listeners through the presentation. “The Brazilian Journey” will take listeners on a trip through the development of the various styles of music that come from Brazil. While popularity in the US was spurred on by the Bossa Nova invasion and the legendary soundtrack of the film Orfeu Negro (Black Orpheus), there’s much more history and context and King-Calnek presents a lot of it. In signature Suga’ style, it’s accompanied by an infectious soundtrack and shaped by Joyce Jones’s meticulous editing.

The entire Brazilian Journey is a multi-CD set that listeners can receive as a gift for pledging to WBAI and will serve as a gateway to the music, culture, and history of Brazil for curious listeners. Even then, it presents a challenge for Dr. King-Calnek, who warns that she’s “just offering a very small taste, the tip of the iceberg, if you will, to whet your appetite for the delicious world of Things Brazil”.

This show will present highlights of “The Brazilian Journey” while attempting to raise badly needed funds for WBAI. Join us on this journey. Donate to WBAI or pledge if you can, but be sure to join us for Suga’ in My Bowl’s latest musical trip.

277104_104534876398647_442744346_nJudith King-Calnek teaches anthropology, theory of knowledge and history at the United Nations International School, where she is the Head of the Humanities Department. She has taught anthropology at Manhattanville College in Purchase, NY. Her publications have focused on education and citizenship in various contexts (international schools, Brazil and the United States). Her most recent publications on free people of color in 19th Century Virginia reflect her continued interest in the intersection of race/color and citizenship in socially stratified societies. King-Calnek holds a Ph.D. in comparative education and anthropology from Teachers College Columbia University as well as two master’s degrees (curriculum and teaching and anthropology and education) from the same institution, and a BA from Pomona College. In addition to her teaching and researching, Judith King-Calnek pursues her long time love of Brazilian music and jazz as a radio programmer and producer in the New York area, for which she has received numerous awards. Dr. King-Calnek also hosted a program on the Pacifica sister station WPFW-FM. She is fluent in Portuguese and Spanish.

Hosted by Joyce Jones.

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