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Sunday 4/30/2017 Show: Ron Carter

Photo: Ron Carter, March 2013 | © Carlo Pecoraro via Flickr. Some Rights Reserved. Creative Commons CC-NC-BY-ND.

The next show will air on Sunday, April 30, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This show features bassist, cellist, composer, bandleader, educator and NEA Jazz Master Ron Carter to close out Jazz Appreciation Month.

Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music’s greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy.

He later toured Europe with Cannonball Adderley. From 1963 to 1968, he was a member of the classic and acclaimed Miles Davis Quintet. He was named Outstanding Bassist of the Decade by the Detroit News, Jazz Bassist of the Year by Downbeat magazine, and Most Valuable Player by the National Academy of Recording Arts and Sciences. In 1993 Ron Carter earned a Grammy award for Best Jazz Instrumental Group, the Miles Davis Tribute Band and another Grammy in 1998 for Call ‘Sheet Blues’, an instrumental composition from the film ‘Round Midnight.

In addition to scoring and arranging music for many films, including some projects for Public Broadcasting System, Carter has composed music for A Gathering of Old Men, starring Lou Gosset Jr., The Passion of Beatrice directed by Bertrand Tavernier, and Blind Faith starring Courtney B. Vance. Carter shares his expertise in the series of books he authored, among which are Building Jazz Bass Lines and The Music of Ron Carter; the latter contains 130 of his published and recorded compositions.

Carter earned a bachelor of music degree from the Eastman School in Rochester and a master’s degree in double bass from the Manhattan School of Music in New York City. He has also received four honorary doctorates, from the New England Conservatory of Music and the Manhattan School of Music, and was the 2002 recipient of the prestigious Hutchinson Award from the Eastman School at the University of Rochester. Most recently he was honored by the French Minister of Culture with France’s premier cultural award–the medallion and title of Commander of the Order of Arts and Letters, given to those who have distinguished themselves in the domain of artistic or literary creation and for their contribution to the spread of arts and letters in France and the world.

Carter has lectured, conducted, and performed at clinics and master classes, instructing jazz ensembles and teaching the business of music at numerous universities. He was Artistic Director of the Thelonious Monk Institute of Jazz Studies while it was located in Boston and, after 18 years on the faculty of the Music Department of The City College of New York, he is now Distinguished Professor Emeritus although, as a performer, he remains as active as ever.

(Bio adapted from Ron Carter’s website)

As National Poetry Month closes, Suga’ will provide three pieces by Jayne Cortez accompanied by Ron Carter from her release Borders of Disorderly Time. We will open with a piece dedicated to Ella Fitzgerald titled “Somewhere A Woman Is Singing,” as this year marks the centennial of Ms. Fitzgerald’s birth.

Ron Carter will have a run at the Blue Note NYC from May 2-7 in celebration of his 80th birth/earthday.

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Watch Carter in this 1983 live performance with Herbie Hancock and Billy Cobham.

Watch Carter and MC Solaar in this live clip.

Watch Carter in this 1964 live performance with Miles Davis quintet.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 4/16/2017 Show: Linda May Han Oh

Photo of jazz bassist Linda May Han Oh at the 2016 Vision Festival. Photo by Joyce Jones.

Photo: Linda May Han Oh @ 2017 Winter Jazz Fest | © Joyce Jones/Suga Bowl Photography. Some Rights Reserved. Creative Commons CC-NC-BY-ND. Used with permission.

The next show will air on Sunday, April 16, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org“Suga’ In My Bowl” continues to honor women who solo by recognizing bassist, composer, bandleader and educator Linda May Han Oh as part of Jazz Appreciation Month.

Born in Malaysia, raised in, Perth, Western Australia, Linda May Han Oh began playing piano, bassoon and at fifteen dabbled on electric bass playing jazz in high school bands while playing a lot of Red Hot Chili Peppers. Oh studied at the W.A Academy of Performing Arts (WAAPA) where she graduated with first-class honors.

She was a James Morrison Scholarship Finalist in 2003 and in 2004 was an IAJE Sister in Jazz and received the ASCAP Young Jazz Composer’s award in 2008. She also received an honorary mention at the 2009 Thelonious Monk Bass Competition and received the 2010 Bell Award for Young Australian Artist of the Year. In 2010 she was nominated for the Jazz Journalist’s Awards for Up and Coming Artist of the Year, and received the award of No. 1 Acoustic Bass Rising Star in the Downbeat Critic’s Poll. This same year she received 2nd place at the BASS2010 Competition in Berlin.

Oh completed her Masters at the Manhattan School of Music in 2008 studying with Jay Anderson, John Riley, Phil Markowitz, Dave Liebman and Rodney Jones. She now teaches the precollege division there and is involved in jazz videoconference master-classes for high-schools around the US. As an active teacher she was also involved in creating a series of lessons for the up and coming BassGuru app for iPad and iPhone.

Oh has performed with the musicians such as Joe Lovano, Steve Wilson, Vijay Iyer, Dave Douglas, Kenny Barron, Geri Allen, Fabian Almazan, and Terri Lyne Carrington. She is currently the bassist with guitarist, Pat Metheny.

Oh is an active double bassist, electric bassist and composer, composing music for various ensembles and short films, also participating in the BMI Film Composers Workshop and Sundance Labs at Skywalker Ranch. Oh composed for Sabrina McCormick’s short film A Good Egg which was featured in the New York Shorts Festival.

In 2009 her self-released debut trio album Entry with Obed Calvaire and Ambrose Akinmusire received some critical attention. It was listed in Artforum magazine as one of Vijay Iyer’s top ten of 2009.

Her second album Initial Here released on Greenleaf Records in 2012 features a quartet with Dayna Stephens on tenor sax, Fabian Almazan on piano and Rudy Royston on drums with special guest Jen Shyu on vocals. This album was mentioned several times for album of the year in various jazz polls.

Sun Pictures is her third release – a quartet album recorded live at WKCR studios featuring Ben Wendel on tenor saxophone, James Muller on guitar and Ted Poor on drums.

Linda’s latest release Walk Against Wind is scheduled to release Friday, April 14.

(Bio adapted from Oh’s website)

To recognize National Poetry Month, Suga’ will open the program with a recitation of “You Made Me Funny” from the late renaissance woman Abbey Lincoln.

This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Web Extras:

Read a 2016 Village Voice profile on Oh and the difficulties New York-based musicians face now.

Listen to a stream of the full album of Oh’s Walk Against Wind for a limited time at Listen.Hear. on the Suga’ blog.

Watch Oh and her band perform “Deeper Than Happy” in a live performance for WNYC Radio.

Watch this amazing 2012 solo by Oh, playing with saxophonist Joe Lovano’s quintet .

Watch the preview video for Oh’s Initial Here release.

Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 1/22/2017 Show: Melvin Gibbs

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Photo: .| Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, January 22, 2017 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features bassist, composer and producer Melvin Gibbs.
 

 
Bassist Melvin Gibbs has played with some of the greats of ’80s and ’90s jazz and rock. A graduate of Boston’s Berklee College of Music, Gibbs spent part of the ’80s as a member of the Power Tools trio with Bill Frisell (and later, Pete Cosey) and Ronald Shannon Jackson, and performing with Joseph Bowie’s jazz funk band, Defunkt. Later that decade, Gibbs played in legendary jazz/rock guitarist Sonny Sharrock’s band. By the time he joined the Rollins Band in 1993, Gibbs had also played in a trio with Arto Lindsay and Dougie Bowne, and in the group Eye & I. With Rollins, Gibbs toured again through Europe, and the West coast. Gibbs became a producer for Rage records after leaving the Rollins Band. By the close of the ’90s, he was active in the experimental rock band Harriet Tubman, who had a 1998 release on Knitting Factory records, had performed or recorded with Elliot Sharp, Ikue Mori, Chocolate Genius, and the Brazilian singer Marisa Monte.
 
Partial bio adapted from Allmusic.
 
This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Melvin Gibbs will be at The Stone on February 18 with Harriet Tubman.
 
Web Extras:
 
Watch Gibbs play with Harriet Tubman in this live 2010 clip.
 

 
Watch Gibbs play with guitar great Sonny Sharrock in this live clip from 1988.
 

 
Watch Gibbs play “When We Go” with Ronald Shannon Jackson’s Power tools in this live 1988 clip.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 11/27/16 Show: Dave Holland

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Photo: Dave Holland.| Joyce Jones. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, November 27, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview bassist, composer, bandleader and 2017 NEA Jazz Master inductee Dave Holland. Holland’s latest project Aziza has scheduled Birdland dates from Tuesday, November 27 through Saturday, December 3, 2017.
 

 
Holland was born in Wolverhampton, United Kingdom in 1946, and even before reaching puberty played ukulele and then guitar, having fallen under the spell of skiffle music like most British youth during the 1950s and early ‘60s. As an adolescent, he switched over to the low end of the string family, an uncle fabricating his first “tea-chest bass” out of the thin wooden crates in which tea was shipped. The bass ultimately proved the instrument that steered him away from a working-class destiny. At the ripe age of 14, he began playing R&B, rock and pop tunes for dances and in clubs with local bands, and visiting U.S. artists like Roy Orbison, Chet Atkins, and Johnnie Ray. By his late teens Holland began exploring an expanding palette of jazz styles and it was clear that music was Holland’s calling.
 
Holland was a mere 19 years old when he began to appear at Ronnie Scott’s jazz club in London’s Soho district, supporting touring jazz veterans like Ben Webster, Coleman Hawkins and Joe Henderson. That was the venue in which famed trumpeter Miles Davis—who was about to transition from purely acoustic music to more electric instrumentation in 1968, including rock and funk influences—first heard Holland. Davis asked him to take over the bass chair in his band at a time when generations of musicians and music fans were intensely focused on every step the trumpeter was taking.
 
Joining Davis’s groundbreaking, semi-electric band was the catapult that launched Holland’s career to the international stage. As the world watched and listened, he contributed to albums that pointed the way to the future—Filles De Kilimanjaro, In A Silent Way, Bitches Brew—and performed in jazz clubs and rock festivals, helping to lay the groundwork for the rise of Fusion jazz, an important member of a brotherhood of innovators adept at older and newer jazz vocabularies. While still with Davis, Holland gigged and recorded with other musicians as well, including the Thad Jones/Mel Lewis Orchestra, Chick Corea, and Joe Henderson.
 
Holland left Davis’s employ in 1970 and immediately co-founded Circle—the influential if short-lived free-jazz quartet, with Corea, Anthony Braxton and Barry Altschul. After the breakup of Circle in late ’71, Holland found himself working in bands led by the likes of Stan Getz, Thelonious Monk, Braxton, and initiating an enduring relationship with saxophonist/bandleader Sam Rivers.
 
In 2003, Holland departed ECM and formed his own label, Dare2 Records, on which he has issued almost all of his recent recordings. In 2005, Dare2 premiered with Overtime, a big band project including music commissioned by the Monterey Jazz Festival. A year later, Critical Mass featured his Quintet (the first with Nate Smith), and Pass It On in 2008, a sextet performing arrangements in a mini-big band style (with, among others, Robin Eubanks, pianist Mulgrew Miller, drummer Eric Harland.)
 
The remarkable rate at which Holland leads or collaborates his way into fresh and exciting projects proves he has no plans to diminish the range nor frequency of his creative drive. His band lineups reveal that his ear is still to the ground, listening for and recognizing fresh and deserving talent, and that many are the musicians who are happy to perform or record with him. As Holland prepares to celebrate his 71st year, he is currently playing with a new group, the Aziza quartet, co-founded with Harland, saxophonist Chris Potter, and guitarist Lionel Loueke.
 
As a leader and collaborator, Holland continues to tour the world and it comes as no surprise that he has and still serves the music in an educational role, having worked during the 1980s as artistic director of the Banff Centre’s jazz summer program (Canada), and as a faculty member for two years at the New England Conservatory of Music in the ‘90s, where he still serves as an artist in residence (as he does at the Royal Academy of Music.) He has also been elected a Fellow of the Guildhall School—his alma mater—and has received honorary doctorates from Birmingham Conservatoire (UK), Berklee College of Music, and the New England Conservatory.
 
Partial bio adapted from Dave Holland’s website.
 
This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Holland’s latest project Aziza has scheduled Birdland dates from Tuesday, November 27 through Saturday, December 3, 2017.
 
Web Extra
 
Watch Holland’s Quintet perform “Concert of the Birds” live in Sao Paulo.
 

 
Watch Holland’s Aziza Quintet perform in this 2016 live show.
 

 
Watch Holland with Pat Metheny, Jack De Johnette, and Herbie Hancock in this live show.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 9/04/2016 Show: Richard Bona

Richard_Bona_475px
Photo: Richard Bona | Flickr user tom.beetz. Some Rights Reserved. Creative Commons CC-NC-BY-ND.
 
The next show will air on Sunday, September 4, 2016 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This broadcast features an interview with bassist and multi instrumentalist Richard Bona.
 

 
Fans call him “The African Sting,” critics call him a pro, but it’s his unique and electrifying style of connecting with his audience that titles him what he really is—a true musician. Richard Bona’s seemingly effortless voice, fierce skills on the bass, unique songwriting/arranging expertise and ability to learn just about any instrument simply from watching, position him as a rare African artist to have established an unscalable reputation on an international platform.
 
Originally from Cameroon, Bona remains true to his roots, with African rhythms reflected in each of his seven albums; the first three, Scenes from My Life, Reverence and Munia display his unique approach to storytelling through sounds. Seeking inspiration from his origins, the themes of Bona’s albums address international issues which mirror his desire of using music to take a stance on issues affecting the oppressed. As an artist with a purpose, he expanded into new musical territories and teamed up with Congolese star, Lokua Kanza and Antillais singer/composer Gerald Toto to create the 2004 collective, Toto, Bona, Lokua on which Bona wrote four tracks.
 
The trio then hit the road and toured across France; however, Bono remained in Europe to tour with guitarist Mike Stern and guest star on Japanese guitarist Kazumi Watanabe’s album Mo Bop 2. Shortly after, the pair embarked upon a tour of Japan, providing Bona with the opportunity to incorporate the culture and sounds of a new territory into his work. Furthermore, he toured with Pat Metheny and appeared as a guest on two of Bobby McFerrin’s albums, along with numerous notable collaborations.
 
He later garnered recognition at the Victoires du Jazz Awards where he won the trophy for “Best International Artist of 2004;” such a prestigious award confirmed his ability to appeal to a multitude of audiences ranging from jazz, pop, bossa nova, traditional, afro-beat and funk. In 2005, Bona guest appeared on Mario Canonge’s album Rhyzome and contributed to the soundtrack for Pascal Plisson’s film Massai, les guerriers de la pluie. Also known for his role in the group, Steps Ahead, Bona has performed on many stages such as the Adelaide International Guitar Festival and with many luminaries such as John Legend for his album, Tiki, which was also nominated for a Grammy in 2007 for “Best Contemporary World Music Album.”
 
Despite the fact that he spent the entirety of 2008 and 2009 on a non-stop tour, Bona released The Ten Shades of Blues, which illustrates his experience with different shades of the blues that he interacted with during his tours throughout locations such as the Sahel, Brazil, India, United States and Cameroon. Shortly after, Bona was honored by the Festival International de Jazz de Montreal with the Antonio Carlos Jobim Award; as one of seven recipients, he is distinguished as an artist in the field of world music whose influence on the evolution of jazz is widely recognized. He also received the prestigious SACEM Jazz Award (Grand Prix Jazz SACEM) in 2012 for the Jazz Grand Prize. Additionally, his certified Gold 2013 album, Bonafied, demonstrates a fusion of cultures in which he is continuously developing into a new album that will be toured internationally. With numerous awards, performances, and years of expertise, Bona has become one of the most accomplished and sought-after musicians of this generation. As he continues to redefine his sound, Richard has released his Afro-Cuban project Mandekan Cubano on June 2016 with his new album Heritage.
 
Bio from Richard Bona’s website.
 
This program is hosted, engineered, produced, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.
 
Bona will be appearing at Club Bonafide from September 9-10 with Mandekan Cubano.
 
Web Extras
 
Watch Bona in a live version of “Teen Town” with a great solo at the beginning.
 

 
Watch another amazing Bona solo.
 

 
Hank Williams is assistant producer for Suga’ in My Bowl and produces the weekly “On the Bandstand” segment as well as running the show’s website and blog, where he has reviewed several jazz festivals. His writing has also appeared in Left Turn magazine and American Music Review. He teaches at Lehman and Hunter colleges in the City University of New York system.

Sunday 8/24/14 Show: Larry Ridley

Larry_Ridley_wide

The next show will air on Sunday, August 24, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature an interview with bassist and educator Dr. Larry Ridley. You can hear a short preview of the show below.

Dr. Larry Ridley was born and reared in Indianapolis, IN. He began performing professionally while still in high school in the 1950s. He studied at the Indiana University School of Music and later at the Lenox School of Jazz. Dr. Ridley has been involved in jazz education, heading the jazz program at Rutgers University.

Dr. David Baker, another Indianapolis native and notable jazz musician, was one of his prime mentors. Dr. Ridley was bassist for David Baker’s Big band during his studies at Indiana University.

Dr. Ridley served as chairman of the Jazz Panel of the National Endowment for the Arts (NEA) and was the organization’s National Coordinator of the “Jazz Artists in Schools” Program for five years (1978–1982). Dr. Ridley is a recipient of the MidAtlantic Arts Foundation’s “Living Legacy Jazz Award”, a 1998 inductee to the International Association for Jazz Education Hall of Fame (IAJE), an inductee of the Downbeat Magazine Jazz Education Hall of Fame, a recipient of the Benny Golson Jazz Award from Howard University, and was honored by a Juneteenth 2006 Proclamation Award from the New York City Council. Dr. Ridley is currently the Executive Director of the African American Jazz Caucus, Inc., an affiliate of IAJE. He was also the IAJE Northeast Regional Coordinator. He continues to actively teach as Professor of Jazz Bass at the Manhattan School of Music. Dr. Ridley served as Jazz Artist in Residence at the Harlem based New York Public Library/Schomburg Center for Research in Black Culture. He established an annual series there dedicated to presenting the compositions of jazz masters that are performed by Dr. Ridley and his Jazz Legacy Ensemble.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Program note: It’s not too late to grab a copy of Suga in My Bowl’s premium of Howard University professor Dr. Greg Kimathi Carr‘s fantastic biography of the legendary Pan African scholar Dr. John Henrik Clarke that we previewed 2 weeks ago on the show. You can support WBAI (and our show) by pledging for a copy of the Dr. Clarke special on CD or donating as little as $5 at WBAI’s secure online donation site.

Web Extras:

Watch Dr. Ridley talk about the system of jazz apprenticeship and what learned from Horace Silver in this short interview.

Watch Dr. Ridley and the Jazz Legacy Ebsemble in this 2011 live performance at the Schomburg Center.

Sunday 7/20/14 Show: Charlie Haden Memorial

Charlie Haden & Kenny Barron, 16/08/2009, Jazz Middelheim 13-16/08/2009, Antwerp, BE
Photo: Bruno Bollaert, Jazz Middelheim – 8/16/2009

The next show will air on Sunday, July 20, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will be a memorial to bassist, composer, and former yodeling cowboy Charlie Haden, who died on July 11th. As a tribute to this great artist, we’re re-broadcasting our interview with Haden and wife/musical collaborator Ruth Cameron, originally aired on April 10, 2011.



Born in Shenandoah, Iowa, Charlie Haden began his life in music almost immediately, singing on his parents’ country & western radio show at the tender age of 22 months. He started playing bass in his early teens and in 1957 left America’s heartland for Los Angeles, where he met and played with such legends as Art Pepper, Hampton Hawes, and Dexter Gordon.

In 1959, Haden teamed with Ornette Coleman to form the saxophonist’s pioneering quartet (alongside trumpeter Don Cherry and drummer Billy Higgins). In addition to his still-influential work with Coleman, Haden also collaborated with a number of adventurous jazz giants, including John Coltrane, Archie Shepp, and Keith Jarrett, Pat Metheny.

In 1969, Haden joined forces with pianist/composer Carla Bley, founding the Liberation Music Orchestra. The group’s self-titled debut is a true milestone of modern music, blending experimental big band jazz with the folk songs of the Spanish Civil War to create a powerfully original work of musical/political activism.

An acoustic bassist of extraordinary gifts, Haden’s talents as a musician have been in constant demand by his fellow artists. As a result, he has collaborated with a genuinely stunning array of musicians, including Hank Jones, Don Cherry, Dewey Redman, Paul Motian, Jack DeJohnette, Michael Brecker, Kenny Barron, and Pat Metheny (with whom Haden shared a 1997 “Best Jazz Instrumental Individual/Small Group” Grammy® Award for their Beyond the Missouri Sky).

Haden’s love of world music has also seen him teaming with a variety of diverse international players, including Brazilian guitarist Egberto Gismonti, Argentinean bandoneon master Dino Saluzzi, and Portuguese guitar giant Carlos Paredes. In addition, Haden has explored diverse streams of American popular music with both his acclaimed Quartet West, as well as on such recent collections as 2002’s inventive alliance with Michael Brecker, American Dreams.

Haden was invited to establish the jazz studies program at California Institute of the Arts in 1982 and has earned countless honors from around the globe, including and the Los Angeles Jazz Society prize for “Jazz Educator of the Year”, two Grammy Awards (alongside a multitude of nominations), myriad Down Beat readers and critics poll winners, a Guggenheim fellowship, four NEA grants for composition, France’s Grand Prix Du Disque (Charles Cros) Award, Japan’s SWING Journal Gold, Silver and Bronze awards. Montreal Jazz Festival’s Miles Davis Award.

On Friday, July 11, 2014, Charlie Haden left this world. He is survived by his wife Ruth Cameron, his four children, Josh, Tanya, Petra and Rachel, a brother, Carl, a sister, Mary, and three grandchildren. Tanya Haden is married to singer and actor Jack Black.

Show engineered, produced, hosted, and edited by Joyce Jones. Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

We’re not aware of any NYC Metro area tributes or memorials to Haden at this time. Follow our “On the Bandstand” segment on air and on our blog and we’ll pass on info as we get it.

Web Extras:

Watch Haden and Pat Metheny perform live in 2008.



Watch Haden conduct (and play with) the Liberation Music Orchestra in this 1987 performance with Dewey Redman live in Africa.

Sunday February 2nd Show: Alex Blake

Alex_Blake_smallReminder: Suga’ in My Bowl now airs weekly on WBAI, except for the last Sunday of the month! Please update your calendars, pass the word on to friends, and share on social media if you like the show.

The next show will air on Sunday February 2nd, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature an exclusive interview with bassist Alex Blake. Listen to a short preview of the show below.



Alex Blake (Alejandro Blake Fearon, Jr.) is a contemporary master bassist on both the classical upright (or double) bass and on the electric bass. He is an innovator and pioneer in the development of contemporary musical genres across the spectrum from Latin/salsa, Jazz, rock, fusion, funk, Afro-Caribbean, bossa nova, flamenco, and soul, pop, R&B, country and world music. His self-developed playing style reveals a unique approach to the instrument borrowing from cello and guitar techniques resulting in a dynamic, high impact stage presence whether solo or with other musicians.

Originally from Panama, his family traditions included the gift of music from his father, a distinguished Latin musician himself, who introduced the trumpet and bass to his son. Mr. Blake began playing professionally in New York with the masters of Latin and salsa including Mongo Santamaria and Celia Cruz as a child. His unique approach of melodic and rhythmic slapping caught the attention of the legendary Sun Ra and Jazz icon Dizzy Gillespie to record and tour Europe at major festivals and venues while still a teenager. Mr. Blake became an in-demand bassist, performing and collaborating with an astonishing number of top artists including Freddie Hubbard, Astrid Gilberto, Stan Getz, McCoy Tyner, Billy Cobham and the Manhattan Transfer among many.

As a composer, songwriter and educator, Mr. Blake’s original compositions encompass multiple musical styles from his international background and experiences. He has recorded on multiple Grammy-winning albums, endorsed Ibanez and other brands and has received numerous accolades and awards for a lifetime in music. Mr. Blake tours internationally with Randy Weston and his African Rhythms band, performs at the major festivals and clubs and is now working on an upcoming CD (Colors) with his own band in New York City.

Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Produced, engineered, edited and hosted by Joyce Jones.

Photo Credit: Flickr user Bruno Bollaert (volume 12). Creative Commons licensed.

Web Extras:

Watch this short Alex Blake bass solo with Randy Weston’s African Rhythms at the 2008 Charlie Parker Festival in NYC’s Tompkins Square Park.


Watch a longer 2013 Blake solo at York College’s Performing Arts Center.

Sunday January 19th Show: Steve Turre

Steve_TurreReminder: Suga’ in My Bowl now airs weekly on WBAI, except for the last Sunday of the month! Please update your calendars, pass the word on to friends, and share on social media if you like the show.

The next show will air on Sunday Janury 19, 2014 from 11:00 PM – 1:00 AM Monday Eastern Standard Time on WBAI, 99.5 FM in the NYC metro area or streaming online at wbai.org. This installment of the program will feature an exclusive interview with trombonist, seashellist, composer and bassist Steve Turre.



One of the world’s preeminent jazz innovators, trombonist and seashellist Steve Turre, has consistently won both the Readers’ and Critics’ polls in JazzTimes, Downbeat, and Jazziz for Best Trombone and for Best Miscellaneous Instrumentalist (shells). Turre was born to Mexican-American parents and grew up in the San Francisco Bay area where he absorbed daily doses of mariachi, blues and jazz. While attending Sacramento State University, he joined the Escovedo Brothers salsa band, which began his career-long involvement with that genre.

In 1972 Steve Turre‘s career picked up momentum when Ray Charles hired him to go on tour. A year later Turre’s mentor Woody Shaw brought him into Art Blakey’s Jazz Messengers. After his tenure with Blakey, Turre went on to work with a diverse list of musicians from the jazz, Latin, and pop worlds, including Dizzy Gillespie, McCoy Tyner, J.J. Johnson, Herbie Hancock, Lester Bowie, Tito Puente, Mongo Santamaria, Van Morrison, Pharoah Sanders, Horace Silver, Max Roach, and Rahsaan Roland Kirk. The latter introduced hum to the seashell as an instrument. Soon after that, while touring in Mexico City with Woody Shaw, Turre’s relatives informed him that his ancestors similarly played the shells. Since then, Turre has incorporated seashells into his diverse musical style.

In addition to performing as a member of the Saturday Night Live Band since 1984, Turre leads several different ensembles. Sanctified Shells utilizes the seashell in a larger context, transforming his horn section into a “shell choir”. Turre’s Spring 1999 Verve release, Lotus Flower, showcases his Sextet With Strings. The recording explores many great standards and original compositions arranged by Turre for a unique instrumentation of trombone and shells, violin, cello, piano, bass and drums. Turre’s quartet and quintet provide a setting based in tradition and stretching the limits conceptually and stylistically. In the Summer of 2000, Telarc released In The Spur of the Moment. This recording features Steve with three different quartets, each with a different and distinct master pianist: Ray Charles, Chucho Valdes, and Stephen Scott.

Turre’s self-titled Verve release pioneers a unique artistic vision, drawing upon jazz, Afro-Cuban, and Brazilian sources. This innovative recording also features Cassandra Wilson, Randy Brecker, Graciela, Mongo Santamaria and J.J. Johnson. Previously Turre recorded Right There and Rhythm Within, featuring Herbie Hancock, Jon Faddis, Pharoah Sanders, and Sanctified Shells, on Verve’s subsidiary label, Antilles.

Steve Turre continually evolves as a musician and arranger. He has a strong command of all musical genres and when it comes to his distinct brand of jazz, he always keeps one foot in the past and one in the future.

Listen for our On the Bandstand segment with NYC metro area appearances of Suga’ guests at the end of the first hour with Associate Producer Hank Williams.

Produced, engineered, edited and hosted by Joyce Jones.

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